Peter Levens's Pathway to Health, 1632, f. 12), and he sometimes suffered from deafness. An 'epitaph' ballad was issued on his death, and in 1560 William Baldwin issued a long poem, 'Funeralles of Edward the Sixt.'
Numberless portraits of Edward are extant, nearly all of which are attributed to Holbein. Sketches of the prince as an infant, at the age of seven and at the date of his accession (in profile), are now at Windsor. The two first have been engraved by Dalton, Bartolozzi, and Cooper. The finished picture painted from the first was Holbein's gift to Henry VIII in 1539, and was engraved by Hollar in 1650; the finished picture from the second sketch belongs to the Marquis of Exeter; that from the third belongs to the Earl of Pembroke. At Christ's Hospital are a portrait at the age of nine (on panel), and copies from originals at Petworth and Hampton Court painted after his accession. The two latter have been repeatedly engraved. Guilliam Stretes, Marc Willems, and Hans Huet are known to have been employed by Edward VI in portrait-painting, and they are doubtless responsible for some of the pictures ascribed to Holbein. Edward VI also figures in the great family picture at Hampton Court with his father, stepmother (Catherine Parr), and two sisters; in the picture of his coronation, engraved from the original at Cowdray (now burnt) by Basire in 1787; in the drawing of his council in Grafton's 'Statutes,' 1548. In Bale's 'Scriptores,' 1549, there is an engraving representing Bale giving the king a book, and in Cranmer's 'Catechism,' 1548, is a similar illustration. 'Latimer preaching before Edward' appears in Foxe's 'Acts and Monuments,' and Vertue engraved a picture by Holbein of Edward VI and the lord mayor founding the city hospital, the original of which is in Bridewell. Seventeenth-century statues are at St. Thomas's and Christ's Hospitals. An older bust is at Wilton.
Edward's 'Journal' — a daily chronicle of his life from his accession to 28 Nov. 1552 — in his autograph, is in the Cottonian Library at the British Museum (Nero MS. C. x.) Its authenticity is thoroughly established. It formed the foundation of Hayward's 'Life,' and was first printed by Burnet in his 'History of the Reformation.' Declamations in Greek and Latin, French essays, private and public letters, notes for a reform of the order of the Garter, and notes of sermons are extant in the king's own handwriting, chiefly in the British Museum Library. All these have been printed in J. G. Nichols's 'Literary Remains of Edward VI.' His own copy of the 'Latin Grammar' (1540) is at Lambeth; another copy richly bound for his use (dated 1542) is at the British Museum. The French treatise by the king against the papal supremacy was published separately in an English translation in 1682 and 1810, and with the original in 1874. The rough draft in the king's handwriting is in Brit. Mus. MS. Addit. 5464, and the perfected copy in the Cambridge Univ. Library, Dd. xii. 59.
[A complete memoir, with extracts from the Privy Council Registers and from other original documents, is prefixed to J. G. Nichols's Literary Remains (Roxburghe Club, 1857). This memoir supersedes Sir John Hayward's Life (1630) and Tytler's England under Edward VI and Mary (1839). Other authorities are Machyn's Diary (Camd. Soc.); Chronicle of the Grey Friars (Camd. Soc.); Chronicle of Queen Mary and Queen Jane (Camd. Soc.); Grafton's Chronicle; Foxe's Acts, which devotes much space to Edward's reign and character; Zurich Letters, vol. i.; Epistolæ Aschami; Cal. State Papers (Domestic); Strype's Annals, and Historia delle cose occorse nel regno d'Inghilterra in materia del Duca di Nortomberlan (Venice, 1558). Mr. Froude's History of England, Canon Dixon's Church History, and Lingard's History give elaborate accounts of the events of the time.]
EDWARD, Prince of Wales (1330–1376), called the Black Prince, and sometimes Edward IV (Eulogium) and Edward of Woodstock (Baker), the eldest son of Edward III [q. v.] and Queen Philippa, was born at Woodstock on 15 June 1330. His father on 10 Sept. allowed five hundred marks a year from the profits of the county of Chester for his maintenance, and on 25 Feb. following the whole of these profits were assigned to the queen for maintaining him and the king's sister Eleanor (Fœdera, ii. 798, 811). In the July of that year the king proposed to marry him to a daughter of Philip VI of France (ib. p. 822). On 18 March 1333 he was invested with the earldom and county of Chester, and in the parliament of 9 Feb. 1337 he was created Duke of Cornwall and received the duchy by charter dated 17 March. This is the earliest instance of the creation of a duke in England. By the terms of the charter the duchy was to be held by him and the eldest sons of kings of England (Courthope, p. 9). His tutor was Dr. Walter Burley [q. v.] of Merton College, Oxford. His revenues were placed at the disposal of his mother in March 1334 for the expenses she incurred in bringing up him and his two sisters, Isabella and Joan (Fœdera, ii. 880). Rumours of an impending French invasion led the king in August 1335 to order that he and his household should remove to Nottingham Castle as a place of safety (ib. p. 919). When two cardinals came to England at the end of
