were burned down, but in a year's time he had built others three times finer than those he had lost. He improved the abbatial residences on several Evesham manors. In 1233 a new infirmary chapel was dedicated. He also painted the chapter-house, and was very skilful with the needle. He presented the church with albs and copes which he had made and ornamented with gold work, and gave the refectory a wheel surrounded by little bells attached to it by chains. His donations are recorded not only in the 'Chronicle,' but also in miscellaneous deeds in Cott. MS. Nero, D. iii. When dean of the vale and prior he arranged that every tenant in the vale who paid heriot according to the custom of the manor, as specified in the abbot's customary book, should pay a heriot to the abbot of the best animal of his live stock (sheep excepted), and if he had none living, then the best dead animal; the second best should go to the sacrist as a mortuary fee (f. 245, printed in Stevens's Monisticon, Appendix, p. 135).
As prior he abbreviated the life of St. Egwin, and wrote the life of St. Wistan, both at the request of the brethren. He copied Haymo's commentary on the Revelation of St. John, and bound up in the same volume his own 'Chronicon Abbatis de Evesham' from its foundation to 1214. This is extant (Rawlinson MS. A. 287), but another copy in a separate volume which he wrote is lost. Besides these he wrote several liturgical books for the church.
[Marleburge's Chronicle of the Abbots of Evesham to 1214 contains an autobiography of the writer. A continuation in a fifteenth-century hand records his benefactions. The whole was published as Chronicon Abbatiæ de Evesham, edited by W. D. Macray (Rolls Ser.) See also Stevens's Monasticon Anglicanum. Appendix. No. cxxxvi.]
MARLOW, WILLIAM (1740–1813), water-colour painter, born in 1740, studied under Samuel Scott the marine painter, and also at the St. Martin's Lane academy. He was a member of the Incorporated Society of Artists, and contributed to their exhibitions in Spring Gardens in 1762, 1763, and 1764. He was employed in painting the country seats of noblemen, and by advice of the Duchess of Northumberland travelled in France and Italy from 1765 to 1768. On his return he renewed his contributions to the Society of Artists, and took up his residence in Leicester Square. In 1788 he removed to Twickenham, and commenced to exhibit at the Royal Academy, sending works regularly till 1796, and again, for the last time, in 1807, when he sent 'Twickenham Ferry by Moonlight.' He painted in oil as well as water-colour. In the South Kensington Museum is a landscape in oil by him, 'Composition with Ruined Temple, Cattle Watering, and Men Fishing,' besides two drawings in water-colour and about forty sketches. There are some of his works at the Foundling Hospital, and a few drawings in the British Museum. His drawings are graceful but of no great power, and his method in water-colour did not advance beyond tinting. His subjects were generally English country scenes, but he painted some pictures from his Italian sketches, and etched some of the latter, as well as some views on the Thames. His views of the bridges at Westminster and Blackfriars were engraved.
He realised a moderate competence, and died at Twickenham 14 Jan. 1813. He exhibited in all 152 works, 125 at the Society of Artists, two at the Free Society, and twenty-five at the Royal Academy.
[Redgrave's Dict.; Graves's (Algernon) Dict.; Catalogues of South Kensington Museum; Roget's Old Water-Colour Society.]
MARLOWE, CHRISTOPHER (1564–1593), dramatist, was son of John Marlowe a shoemaker, of Canterbury, who was a member of the shoemakers' and tanners' guild of the town. The father also acted as 'clarke' of 'St. Maries;' married at St. George's Church, 29 May 1561, Catherine, apparently the daughter of Christopher Arthur, rector of St. Peter's, and died on 26 Jan. 1604-5. The dramatist was the eldest son but second child of the family. Two sisters are noticed in the borough-chamberlain's accounts, viz. Ann, wife of John Crauforde, a shoemaker, who was admitted a freeman 29 Jan. 1594, and Dorothy, wife of Thomas Graddell, a vintner, who was admitted a freeman 28 Sept. 1594. The poet was baptised at the church of St. George the Martyr, Canterbury, on 26 Feb. 1563-4. He was educated at the king's school of his native town. The treasurer's accounts between 1678 and 1580 are very defective, but they show that Marlowe, while attending the school, received an exhibition of 1l. for each of the first three quarters of 1579. On 17 March 1580-1 he matriculated as a pensioner of Corpus Christi College, Cambridge. He is entered in the register as 'Marlin,' without a christian name — proof, apparently, that he did not come up to Cambridge with a scholarship from his school. It has been suggested that his academical expenses were by Sir Roger Manwood [q. v.] the judge, who lived at St. Stephen's, near Canterbury, and whose death in 1592 was the subject of a Latin elegy by Marlowe. But it is
