known to be extant, but the poem in the Tanner MSS. may perhaps be reckoned among them. An indelicate poem, ‘The Choosing of Valentines by Thomas Nashe,’ is in Inner Temple MS. 538. A few of the opening lines only are printed by Dr. Grosart.
A caricature of Nash in irons in the Fleet is engraved in Harvey's ‘Trimming’ (1597) (cf. Harvey's ‘Works,’ ed. Grosart, iii. 43). Another rough portrait is on the title-page of ‘Tom Nash his Ghost’ (1642).
All the works with certainty attributed to Nash, together with ‘Martins Months Mind,’ which is in all probability from another's pen, are reprinted in Dr. Grosart's ‘Huth Library’ (6 vols.), 1883–5. The following list supplies the titles somewhat abbreviated. All the volumes are very rare: 1. ‘The Anatomie of Absurditie,’ London, by I. Charlewood for Thomas Hacket, 1589, 4to; the only perfect copy is in Mr. Christie Miller's library at Britwell; an imperfect copy, the only other known, is at the Bodleian Library; another edition, dated 1590, is in the British Museum. 2. ‘A Countercuffe giuen to Martin Iunior. … Anno Dom. 1589,’ without printer's name or place (Brit. Mus. and Huth Libr.). 3. ‘The Returne of the Renowned Caualier Pasquill of England. … Anno Dom. 1589,’ without printer's name or place (Huth Libr., Britwell, and Brit. Mus.). 4. ‘The First Parte of Pasquils Apologie.’ Anno Dom. 1590, doubtless printed by James Robert for Danter (Huth Libr., Britwell, and Brit. Mus.). 5. ‘A Wonderfull strange and miraculous Astrologicall Prognostication,’ London, by Thomas Scarlet, 1591 (Bodl.). 6. ‘Pierce Pennilesse his Supplication to the Devill,’ London, by Richard Jhones, 1592, an unauthorised edition (the only known copies are at Britwell and that formerly in the library at Rowfant); reprinted for the Shakespeare Soc. by J. P. Collier, in 1842; the authorised edition by Abel Ieffes, 1592 (Bodl., Trin. Coll. Camb., formerly at Rowfant, Brit. Mus., and Huth Libr.); 1593 and 1595 (both in Brit. Mus.). 7. ‘Strange Newes of the Intercepting certaine Letters … by Tho. Nashe, Gentleman,’ printed 1592 (Brit. Mus.); London, by John Danter, 1593, with the title ‘An Apologie for Pierce Pennilesse’ (Huth Libr.); reprinted by Collier in 1867. 8. ‘Christs Teares over Ierusalem, London, by James Roberts, and to be solde by Andrewe Wise,’ 1593 (Brit. Mus., Britwell, and Huth Libr.); 1594, with new address ‘to the Reader,’ ‘printed for Andrew Wise’ (Huth Libr.); 1613 (Bodl.), with the prefatory matter of 1593. 9. ‘The Terrors of the Night,’ London, printed by John Danter for William Jones, London, 1594, 4to (Bodl., Britwell, and Bridgwater Libr.). 10. ‘The Unfortunate Traveller, or the Life of Iacke Wilton,’ London, printed by T. Scarlet for C. Burby, 1594, 4to (Brit. Mus. and Britwell); reprinted in ‘Chiswick Press Reprints,’ 1892, edited by Mr. Edmund Gosse. 11. ‘The Tragedie of Dido … by Christopher Marlowe and Thomas Nash, Gent.’ London, by the Widdowe Orwin for Thomas Woodcocke, 1594 [see under Marlowe, Christopher]. 12. ‘Haue with you to Saffron-Walden,’ London, by John Danter, 1596 (Brit. Mus., Britwell, and Huth Libr.). 13. ‘Nashe's Lenten Stuffe,’ printed for H. L. and C. B., 1599 (Huth Libr., Bodl., Britwell, and Brit. Mus.); reprinted in ‘Harleian Miscellany.’ 14. ‘A pleasant Comedie called Summers Last Will and Testament,’ London, by Simon Stafford for Walter Burre, 1600 (Brit. Mus., Britwell, Huth Libr., formerly at Rowfant, and Duke of Devonshire's Libr.); reprinted in Dodsley's ‘Old Plays.’
[Bibliographical information from Mr. R. E. Graves of Brit. Mus.; Grosart's introductions to Nash's Works, in vols. i. and vi.; McKerrow's edition of Nash; Collier's preface to his reprint of Pierce Pennilesse, for Shakespeare Soc. 1842; Mr. Gosse's preface to his reprint of the Unfortunate Traveller, 1892; Cunningham's New Facts in the Life of Nash, in Shakspeare Society's Papers, iii. 178; Fleay's Biog. Chron. of English Drama; Collier's Bibl. Account of Early English Lit.; Cooper's Athenæ Cantabr. vol. ii.; Jusserand's English Novel in the Time of Shakespere (Engl. transl.), 1890; D'Israeli's Quarrels of Authors; Herford's Lit. Relations of England and Germany, pp. 165, 372; Dodsley's Old Plays, ed. Hazlitt, 1874, viii. 1 seq.; Harvey's Works, ed. Grosart; Hunter's manuscript Chorus Vatum, in Addit. MS. 24489, f. 367; Oldys's manuscript notes on Langbaine's Dramatick Poets, 1691, f. 382, in Brit. Mus. (C. 28. g. l.); Simpson's School of Shakspere; Anglia, vii. 223 (Shakspere and Puritanism, by F. G. Fleay, whose conclusions there respecting Nash seem somewhat fantastic); Maskell's Martin Marprelate Controversy; Arber's Introduction to the Martin Marprelate Controversy. A third-rate poem in Sloane MS., called ‘The Trimming of Tom Nashe,’ although its title is obviously borrowed from Harvey's tract, does not concern itself with either Harvey or Nash. See arts.: Greene, Robert; Harvey, Gabriel; Harvey, Richard; Lyly, John; and Marlowe, Christopher.
NASH, THOMAS (1588–1648), author, was second son of Thomas Nash of Tappenhall, Worcestershire. He matriculated as ‘Thomas Naishe’ from St. Edmund Hall, Oxford, on
