love, the inspiration of his song and in his mind the symbol of the Divine. He says oi her in the Vita Nuova:—"This most gentle lady, of whom there has been discourse in what precedes, reached such favor among the people, that when she passed along the way persons ran to see her, which gave me wonderful delight. And when she was near any one, such modesty took possession of his heart, that he did not dare to raise his eyes or to return her salutation; and to this, should any one doubt it, many, as having experienced it, could bear witness for me. She, crowned and clothed with humility, took her way, displaying no pride in that which she saw and heard. Many, when she had passed, said, 'This is not a woman, rather is she one of the most beautiful angels of heaven.' Others said, 'She is a miracle. Blessed be the Lord who can perform such a marvel.' I say, that she showed herself so gentle and so full of all beauties, that those who looked on her felt within themselves a pure and sweet delight, such as they could not tell in words."—C. E. Norton, The New Life, 51, 52.
78. The heaven of the moon, which contains or encircles the earth.
84. The ampler circles of Paradise.
94. Divine Mercy.
97. St. Lucia, emblem of enlightening Grace.
102. Rachel, emblem of Divine Contemplation. See [[../../Volume 3/Canto 32|Par. XXXII]]. 9.
108. Beside that flood, where ocean has no vaunt;" That is," says Boccaccio, Comento, "the sea cannot boast of being more impetuous or more dangerous than that."
127. This simile has been imitated by Chaucer, Spenser, and many more. Jeremy Taylor says:—
"So have I seen the sun kiss the frozen earth, which was bound up with the images of death, and the colder breath of the north; and then the waters break from their enclosures, and melt with joy, and run in useful channels; and the flies do rise again from their little graves in walls, and dance awhile in the air, to tell that there is joy within, and that the great mother of creatures will open the stock of her new refreshment, become useful to mankind, and sing praises to her Redeemer."
Rossetti, Spirito Antipapale del Secolo di Dante, translated by Miss Ward, II. 216, makes this political application of the lines: "The Florentines, called Sons of Flora, are compared to flowers; and Dante calls the two parties who divided the city white and black flowers, and himself white-flower,—the name by which he was called by many. Now he makes use of a very abstruse comparison, to express how he became, from a Guelph or Black, a Ghibelline or White. He describes himself as a flower, first bent and closed by the night frosts, and then blanched or whitened by the sun (the symbol of reason), which opens its leaves; and what produces the effect of the sun on him is a speech of Virgil's, persuading him to follow his guidance."
