rather than to confess that he had made a mistake; and afterwards he quitted Florence in disdain, and leaving in memory of himself a book composed by him, called the Tesoretto, he went to Paris and lived there a long time, and composed a book there which is in French, and in which he treats of many matters regarding the liberal arts, and moral and natural philosophy, and metaphysics, which he called the Tesoro; and finally, I believe, he died in Paris."
He also wrote a short poem, called the Favoletto, and perhaps the Pataffio, a satirical poem in the Florentine dialect, "a jargon," says Nardini, "which cannot be understood even with a commentary." But his fame rests upon the Tesoretto and the Tesoro, and more than all upon the fact that he was Dante's teacher, and was put by him into a very disreputable place in the Inferno. He died in Florence, not in Paris, as Boccaccio supposes, and was buried in Santa Maria Novella, where his tomb still exists. It is strange that Boccaccio should not have known this, as it was in this church that the "seven young gentlewomen" of his Decameron met "on a Tuesday morning," and resolved to go together into the country, where they "might hear the birds sing, and see the verdure of the hills and plains, and the fields full of grain undulating like the sea."
The poem of the Tesoretto, written in a jingling metre, which reminds one of the Vision of Piers Ploughman, is itself a Vision, with the customary allegorical personages of the Virtues and Vices. Ser Brunetto, returning from an embassy to King Alphonso of Spain, meets on the plain of Roncesvalles a student of Bologna, riding on a bay mule, who informs him that the Guelfs have been banished from Florence. Whereupon Ser Brunetto, plunged in meditation and sorrow, loses the high-road and wanders in a wondrous forest. Here he discovers the august and gigantic figure of Nature, who relates to him the creation of the world, and gives him a banner to protect him on his pilgrimage through the forest, in which he meets with no adventures, but with the Virtues and Vices, Philosophy, Fortune, Ovid, and the God of Love, and sundry other characters, which are sung at large through eight or ten chapters. He then emerges from the forest, and confesses himself to the monks of Montpellier; after which he goes back into the forest again, and suddenly finds himself on the summit of Olympus; and the poem abruptly leaves him discoursing about the elements with Ptolemy,
"Mastro di storlomia
E di filosofia."
It has been supposed by some commentators that Dante was indebted to the Tesoretto for the first idea of the Commedia. "If any one is pleased to imagine this," says the Abbate Zannoni in the Preface to his edition of the Tesoretto, (Florence, 1824,) "he must confess that a slight and almost invisible spark served to kindle a vast conflagration."
