Page:Divine Comedy (Longfellow 1867) v1.djvu/337

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Inferno XXVIII.
317

name of "Apostles," and its chief, if not only, heresy was a desire to bring back the Church to the simplicity of the apostolic times. In 1305 he withdrew with his followers to the mountains overlooking the Val Sesia in Piedmont, where he was pursued and besieged by the Church party, and, after various fortunes of victory and defeat, being reduced by "stress of snow" and famine, was taken prisoner, together with his companion, the beautiful Margaret of Trent. Both were burned at Vercelli on the 1st of June, 1307. This "last act of the tragedy" is thus described by Mr. Mariotti, Historical Memoir of Fra Dolcino and his Times, p. 290:—

"Margaret of Trent enjoyed the precedence due to her sex. She was first led out into a spot near Vercelli, bearing the name of 'Arena Servi,' or more properly 'Arena Cervi,' in the sands, that is, of the torrent Cervo, which has its confluent with the Sesia at about one mile above the city. A high stake had been erected in a conspicuous part of the place. To this she was fastened, and a pile of wood was reared at her feet. The eyes of the inhabitants of town and country were upon her. On her also were the eyes of Dolcino. She was burnt alive with slow fire.

"Next came the turn of Dolcino: he was seated high on a car drawn by oxen, and thus paraded from street to street all over Vercelli. His tormentors were all around him. Beside the car, iron pots were carried, filled with burning charcoals; deep in the charcoals were iron pincers, glowing at white heat. These pincers were continually applied to the various parts of Dolcino's naked body, all along his progress, till all his flesh was torn piecemeal from his limbs: when every bone was bare and the whole town was perambulated, they drove the still living carcass back to the same arena, and threw it on the burning mass in which Margaret had been consumed."

Farther on he adds:—

"Divested of all fables which ignorance, prejudice, or open calumny involved it in, Dolcino's scheme amounted to nothing more than a reformation, not of religion, but of the Church; his aim was merely the destruction of the temporal power of the clergy, and he died for his country no less than for his God. The wealth, arrogance, and corruption of the Papal See appeared to him, as it appeared to Dante, as it appeared to a thousand other patriots before and after him, an eternal hindrance to the union, peace, and welfare of Italy, as it was a perpetual check upon the progress of the human race, and a source of infinite scandal to the piety of earnest believers. . . . .

"To this clear mission of Italian protestantism Dolcino was true throughout. If we bring the light of even the clumsiest criticism to bear on his creed, even such as it has been summed up by the ignorance or malignity of men who never utter his name without an imprecation, we have reason to be astonished at the little we find in it that may be construed into a wilful deviation