She hurriedly put her work aside, and laid her head down on his pillow, caressing him. And so would she, she said, if he were there. He would be better soon.
"Oh! I am a great deal better now!" he answered. "I don’t mean that. I mean that I should die of being so sorry and so lonely, Floy!"
Another time, in the same place, he fell asleep, and slept quietly for a long time. Awaking suddenly, he listened, started up, and sat listening.
Florence asked him what he thought he heard.
"I want to know what it says," he answered, looking steadily in her face. "The sea, Floy, what is it that it keeps on saying?"
She told him that it was only the noise of the rolling waves.
"Yes, yes," he said. "But I know that they are always saying something. Always the same thing. What place is over there?" He rose up, looking eagerly at the horizon.
She told him that there was another country opposite, but he said he didn’t mean that: he meant further away—farther away!
Very often afterwards, in the midst of their talk, he would break off, to try to understand what it was that the waves were always saying; and would rise up in his couch to look towards that invisible region, far away.
Chapter IX.
In which the Wooden Midshipman gets into Trouble.
That spice of romance and love of the marvellous, of which there was a pretty strong infusion in the nature of young Walter Gay, and which the guardianship of his uncle, old Solomon Gills, had not very much weakened by the waters of stern practical experience, was the occasion of his attaching an uncommon and delightful interest to the adventure of Florence with Good Mrs Brown. He pampered and cherished it in his memory, especially that part of it with which he had been associated: until it became the spoiled child of his fancy, and took its own way, and did what it liked with it.
The recollection of those incidents, and his own share in them, may have been made the more captivating, perhaps, by the weekly dreamings of old Sol and Captain Cuttle on Sundays. Hardly a Sunday passed, without mysterious references being made by one or other of those worthy chums to Richard Whittington; and the latter gentleman had even gone so far as to purchase a ballad of considerable antiquity, that had long fluttered among many others, chiefly expressive of maritime sentiments, on a dead wall in the Commercial Road: which poetical performance set forth the courtship and nuptials of a promising young coal-whipper with a certain "lovely Peg," the accomplished daughter of the master and part-owner of a Newcastle collier. In this stirring legend, Captain Cuttle descried a profound metaphysical bearing on the case of Walter and Florence; and it excited him so much, that on very festive occasions, as birthdays and a few other non-Dominical holidays, he would roar through the whole song in the little back parlour; making an amazing shake on the word Pe-e-eg, with which every verse concluded, in compliment to the heroine of the piece.
