Thus, the flush of the day, in its heat and light, would gradually decline; and again the golden water would be dancing on the wall.
He was visited by as many as three grave doctors—they used to assemble down-stairs, and come up together—and the room was so quiet, and Paul was so observant of them (though he never asked of anybody what they said), that he even knew the difference in the sound of their watches. But his interest centred in Sir Parker Peps, who always took his seat on the side of the bed. For Paul had heard them say long ago, that that gentleman had been with his mamma when she clasped Florence in her arms, and died. And he could not forget it, now. He liked him for it. He was not afraid.
The people round him changed as unaccountably as on that first night at Doctor Blimber’s—except Florence; Florence never changed—and what had been Sir Parker Peps, was now his father, sitting with his head upon his hand. Old Mrs. Pipchin dozing in an easy chair, often changed to Miss Tox, or his aunt; and Paul was quite content to shut his eyes again, and see what happened next, without emotion. But this figure with its head upon its hand returned so often, and remained so long, and sat so still and solemn, never speaking, never being spoken to, and rarely lifting up its face, that Paul began to wonder languidly, if it were real; and in the night-time saw it sitting there, with fear.
"Floy!" he said. "What is that?"
"Where, dearest?"
"There! at the bottom of the bed."
"There’s nothing there, except Papa!"
The figure lifted up its head, and rose, and coming to the bedside, said: "My own boy! Don’t you know me?"
Paul looked it in the face, and thought, was this his father? But the face so altered to his thinking, thrilled while he gazed, as if it were in pain; and before he could reach out both his hands to take it between them, and draw it towards him, the figure turned away quickly from the little bed, and went out at the door.
Paul looked at Florence with a fluttering heart, but he knew what she was going to say, and stopped her with his face against her lips. The next time he observed the figure sitting at the bottom of the bed, he called to it.
"Don’t be sorry for me, dear Papa! Indeed I am quite happy!"
His father coming and bending down to him—which he did quickly, and without first pausing by the bedside—Paul held him round the neck, and repeated those words to him several times, and very earnestly; and Paul never saw him in his room again at any time, whether it were day or night, but he called out, "Don’t be sorry for me! Indeed I am quite happy!" This was the beginning of his always saying in the morning that he was a great deal better, and that they were to tell his father so.
How many times the golden water danced upon the wall; how many nights the dark, dark river rolled towards the sea in spite of him; Paul never counted, never sought to know. If their kindness, or his sense of it, could have increased, they were more kind, and he more grateful every day; but whether they were many days or few, appeared of little moment now, to the gentle boy.
One night he had been thinking of his mother, and her picture in the
