fallen together on the piano stool, her heart heavier and heavier.
She looked hard at the empty chairs, and thought to herself that it wasn't any worse to see them empty, than to see the people that usually sat on them—not one who could help a little girl to be more happy. There wasn't a single person she knew, whom she'd wish sitting there now, unless it might be Cousin Hetty! Marise felt a knot come in her throat, and the corners of her mouth began to tremble. She would like to get up in Cousin Hetty's lap again.
But Cousin Hetty was not there. There was nothing there but the circle of unfriendly chairs and tables and the empty, silent room. The trembling of her lips got worse; Marise was afraid she was going to cry. She turned round on the piano stool, put one bent arm up on the music which stood there, and hid her face in it. She was not crying; though she wished she could, because the ache in her heart and the knot in her throat hurt too much.
The silent, motionless room stood aloof and meaningless about the silent, motionless child. Marise pressed her face closer against her arm. She was trembling now, all over her body.
The silence was intense.
And then it seemed to her that the silence had been broken by a voice, a beautiful, quivering voice, deep and true, which went straight to her heart, as though some one had spoken a strong, loving word. At the sound she stopped trembling and sat motionless.
Before she could draw her breath in wonder, she knew what it had been . . . only a note of music. Her own hand falling on a key of the piano had struck a note, which was even then echoing in her ears.
But the first impression was ineffaceable. That, too, rang in her ears. It seemed as though it was the first time she had ever heard a note of music. Really, really that was so. She had never been still enough before to hear how a note sounded. How it rang and rang in the stillness, its deep vibration stirring echoes deep within Marise's heart! She had thought it was a
