Public authorities should adopt the most efficient plan for preparing blind children to become active, independent men and women, rather than consider the cheapest and easiest method of educating them. We cannot afford to give the blind an education that is not the best of its kind in the trade or profession they will have to follow. There are many seeing persons with little education who are useful citizens and successful in various industries, but an uneducated blind person is helpless, and must become dependent.
The surroundings of the blind do not favour the development of activity, self-reliance and independence. Parents and friends find it easier to attend to the wants and requirements of their blind children than to teach them to be self-helpful in the common acts of everyday life. A mistaken kindness leads the friends to guard every movement and prevent physical exertion. As a rule, the vitality of the blind is much below the average vitality of seeing persons, and any system of education which does not recognize and overcome this defect will be a failure. It is the lack of energy and determination, not the want of sight, that causes so many failures among the blind.
A practical system of education, which has for its object to make the blind independent and self-sustaining, must be based upon a comprehensive course of physical development. A blind man who has received mechanical training, general education, or musical instruction, without Physical training.physical development, is like an engine provided with everything necessary except motive power.
Schools for the blind should be provided with well-equipped gymnasia, and the physical training should include various kinds of mass and apparatus work. Large and suitable playgrounds are also essential. Besides a free space where they can run and play, it should have a supply of swings, tilts, jumping-boards, stilts, chars-à-bancs, skittle-alleys, &c. Any game that allows of sides being taken adds greatly to the enjoyment, and is a powerful incentive to play. The pupils should be encouraged to enter into various competitions, as walking, running, jumping, leap-frog, sack-racing, shot-pitching, tug-of-war, &c. Cycling, rowing, swimming and roller-skating are not only beneficial but most enjoyable.
The subjects in the school curriculum should be varied according to the age and capacity of the pupils, but those which cultivate the powers of observation and the perceptive faculties should have a first place. Object lessons or nature study should have a large share ofMental training. attention. Few people realize that a blind child knows nothing of the size, shape and appearance of common objects that lie beyond the reach of his arm. When he has once been shown how to learn their characteristics, he will go on acquiring a knowledge of his surroundings unaided by a teacher. Again, a careful drill in mental arithmetic, combining accuracy with rapidity, is essential. A good command of English should be cultivated by frequent exercises in composition, and by committing to memory passages of standard prose and poetry. In his secondary course, the choice of subjects must depend upon his future career. Above all, stimulate a love of good reading.
From the earliest years manual dexterity should be cultivated by kindergarten work, modelling, sewing, knitting and sloyd. Blind children who have not had the advantage of this early handwork find much more difficulty when they begin a regular course in technical training.Early manual training. Early manual training cultivates the perceptive faculties, gives activity to the body, and prepares the hands and fingers for pianoforte-playing, pianoforte-tuning and handicrafts.
Besides a good general education, the blind must have careful and detailed training in some handicraft, or thorough preparation for some profession. The trades and professions open to them are few, and if they fail in one of these they cannot turn quickly to some other line of work. Those Choice of occupation.who have charge of their education should avail themselves of the knowledge that has been gained in all countries, in order to decide wisely in regard to the trade or occupation for which each pupil should be prepared. It may be some kind of handicraft, pianoforte-tuning, school-teaching, or the profession of music; the talent and ability of each child should be carefully considered before finally deciding his future occupation. The failure to give the blind a practical education often means dependence through life.
Pianoforte-tuning as an employment for the blind originated in Paris. About 1830 Claud Montal and a blind fellow-pupil attempted to tune a piano. The seeing tuner in charge of the school pianos complained to the director, and they were forbidden to touch the works, but the two Pianoforte-tuning.friends procured an old piano and continued their efforts. Finally, the director, convinced of their skill, gave them charge of all the school pianos, and classes were soon started for the other pupils. When Montal left the institution he encountered great prejudice, but his skill in tuning became known to the professors of the Conservatoire, and his work rapidly increased and success was assured. Montal afterwards established a manufactory, and remained at its head for many years. Tuning is an excellent employment for the blind, and one in which they have certain advantages. The seeing who excel in the business go through a long apprenticeship, and one must give the blind even more careful preparation. They must work a number of hours daily, under suitable tuition, for several years. After a careful examination by an expert pianoforte-tuning authority, every duly qualified tuner should be furnished with an official certificate of proficiency, and tuners who cannot take the required examinations ought not to be allowed to impose upon the public.
Music in its various branches, when properly taught, is the best and most lucrative employment for the blind. To become successful in the profession, it is necessary for the blind to have opportunities of instruction, practice, study, and hearing music equal to those afforded the Musical training.seeing, with whom they will have to compete in the open market. If the blind musician is to rise above mediocrity, systematic musical instruction in childhood is indispensable, and good instruction will avail little unless the practice is under constant and judicious supervision. The musical instruction, in its several branches of harmony, pianoforte, organ and vocal culture, must be addressed to the mind, not merely to the ear. This is the only possible method by which musical training can be made of practical use to the blind. The blind music teacher or organist must have a well-disciplined mind, capable of analysing and dealing with music from an intellectual point of view. If the mental faculties have not been developed and thoroughly disciplined, the blind musician, however well he may play or sing, will be a failure as a teacher. The musical instruction must be more thorough, more analytical, more comprehensive, than corresponding instruction given to seeing persons. In 1871 Dr Armitage published a book on the education and employment of the blind, in which he stated that of the blind musicians trained in the United Kingdom not more than one-half per cent were able to support themselves, whereas of those trained in the Paris school 30% supported themselves fully, and 30% partially, by the profession of music.
To provide a better education and improve the musical training of the blind, the Royal Normal College was established in 1872.[1] Its object was to afford the young blind a thorough general and musical education, to qualify them to earn a living by various intellectual pursuits,Royal Normal College. especially as organists, pianists, teachers and pianoforte-tuners. From the first, the founders of the college maintained that the blind could only be made self-sustaining by increasing their intelligence, bodily activity and dexterity, by inculcating business habits, by arousing their self-respect, and by creating in their minds a belief in the possibility
- ↑ Its principal (responsible, with Dr Armitage, the duke of Westminster and others, for its foundation) was Sir F. J. Campbell, LL.D., F.R.G.S., F.S.A., himself a blind man, who, born in Tennessee, U.S.A., in 1832, and educated at the Nashville school, and afterwards in music at Leipzig and Berlin, had from 1858 to 1869 been associated with Dr Howe at the Perkins Institution, Boston. He was knighted in 1909.
