mouth. Constipation appears to increase the thirst, and must always be carefully guarded against. The best remedies are the aperient mineral waters.
Numerous medicinal substances have been employed in diabetes, but few of them are worthy of mention as possessed of any efficacy. Opium is often found of great service, its administration being followed by marked amelioration in all the symptoms. Morphia and codeia have a similar action. In the severest cases, however, these drugs appear to be of little or no use, and they certainly increase the constipation. Heroin hydrochloride has been tried in their place, but this seems to have more power over slight than over severe cases. Salicylate of sodium and aspirin are both very beneficial, causing a diminution in the sugar excretion without counterbalancing bad effects.
In diabetes insipidus there is constant thirst and an excessive flow of urine, which, however, is not found to contain any abnormal constituent. Its effects upon the system are often similar to those of diabetes mellitus, except that they are much less marked, the disease being in general very slow in its progress. In some cases the health appears to suffer very slightly. It is rarely a direct cause of death, but from its debilitating effects may predispose to serious and fatal complications. It is best treated by tonics and generous diet. Valerian has been found beneficial, the powdered root being given in 5-grain doses.
DIABOLO, a game played with a sort of top in the shape of two cones joined at their apices, which is spun, thrown, and caught by means of a cord strung to two sticks. The idea of the game appears originally to have come from China, where a top (Kouengen), made of two hollow pierced cylinders of metal or wood, joined by a rod—and often of immense size,—was made by rotation to hum with a loud noise, and was used by pedlars to attract customers. From China it was introduced by missionaries to Europe; and a form of the game, known as “the devil on two sticks,” appears to have been known in England towards the end of the 18th century, and Lord Macartney is credited with improvements in it. But its principal vogue was in France in 1812, where the top was called “le diable.” Amusing old prints exist (see Fry's Magazine, March and December 1907), depicting examples of the popular craze in France at the time. The diable of those days resembled a globular wooden dumb-bell with a short waist, and the sonorous hum when spinning—the bruit du diable—was a pronounced feature. At intervals during the century occasional attempts to revive the game of spinning a top of this sort on a string were made, but it was not till 1906 that the sensation of 1812 began to be repeated. A French engineer, Gustave Phillipart, discovering some old implements of the game, had experimented for some time with new forms of top with a view to bringing it again into popularity; and having devised the double-cone shape, and added a miniature bicycle tire of rubber round the rims of the two ends of the double-cone, with other improvements, he named it “diabolo.” The use of celluloid in preference to metal or wood as its material appears to have been due to a suggestion of Mr C. B. Fry, who was consulted by the inventor on the subject. The game of spinning, throwing and catching the diabolo was rapidly elaborated in various directions, both as an exercise of skill in doing tricks, and in “diabolo tennis” and other ways as an athletic pastime. From Paris, Ostend and the chief French seaside resorts, where it became popular in 1906, its vogue spread in 1907 so that in France and England it became the fashionable “rage” among both children and adults.
The mechanics of the diabolo were worked out by Professor C. V. Boys in the Proc. Phys. Soc. (London), Nov. 1907.
DIACONICON, in the Greek Church, the name given to a chamber on the south side of the central apse, where the sacred utensils, vessels, &c., of the church were kept. In the reign of Justin II. (565–574), owing to a change in the liturgy, the diaconicon and protheses were located in apses at the east end of the aisles. Before that time there was only one apse. In the churches in central Syria of slightly earlier date, the diaconicon is rectangular, the side apses at Kalat-Seman having been added at a later date.
DIADOCHI (Gr. διαδἐχεσθαι, to receive from another), i.e. “Successors,” the name given to the Macedonian generals who fought for the empire of Alexander after his death in 323 B.C. The name includes Antigonus and his son Demetrius Poliorcetes, Antipater and his son Cassander, Seleucus, Ptolemy, Eumenes and Lysimachus. The kingdoms into which the Macedonian empire was divided under these rulers are known as Hellenistic. The chief were Asia Minor and Syria under the Seleucid Dynasty (q.v.), Egypt under the Ptolemies (q.v.), Macedonia under the successors of Antigonus Gonatas, Pergamum (q.v.) under the Attalid dynasty. Gradually these kingdoms were merged in the Roman empire. (See Macedonian Empire.)
DIAGONAL (Gr. διά, through, γωνία, a corner), in geometry, a line joining the intersections of two pairs of sides of a rectilinear figure.
DIAGORAS, of Melos, surnamed the Atheist, poet and sophist, flourished in the second half of the 5th century B.C. Religious in his youth and a writer of hymns and dithyrambs, he became an atheist because a great wrong done to him was left unpunished by the gods. In consequence of his blasphemous speeches, and especially his criticism of the Mysteries, he was condemned to death at Athens, and a price set upon his head (Aristoph. Clouds, 830; Birds, 1073 and Schol.). He fled to Corinth, where he is said to have died. His work on the Mysteries was called Φρύγιοι λόγοι or Ἀποπυργίζοντες, in which he probably attacked the Phrygian divinities.
DIAGRAM (Gr. διάγραμμα, from διαγράφειν, to mark out by lines), a figure drawn in such a manner that the geometrical relations between the parts of the figure illustrate relations between other objects. They may be classed according to the manner in which they are intended to be used, and also according to the kind of analogy which we recognize between the diagram and the thing represented. The diagrams in mathematical treatises are intended to help the reader to follow the mathematical reasoning. The construction of the figure is defined in words so that even if no figure were drawn the reader could draw one for himself. The diagram is a good one if those features which form the subject of the proposition are clearly represented.
Diagrams are also employed in an entirely different way—namely, for purposes of measurement. The plans and designs drawn by architects and engineers are used to determine the value of certain real magnitudes by measuring certain distances on the diagram. For such purposes it is essential that the drawing be as accurate as possible. We therefore class diagrams as diagrams of illustration, which merely suggest certain relations to the mind of the spectator, and diagrams drawn to scale, from which measurements are intended to be made. There are some diagrams or schemes, however, in which the form of the parts is of no importance, provided their connexions are properly shown. Of this kind are the diagrams of electrical connexions, and those belonging to that department of geometry which treats of the degrees of cyclosis, periphraxy, linkedness and knottedness.
Diagrams purely Graphic and mixed Symbolic and Graphic.—Diagrams may also be classed either as purely graphical diagrams, in which no symbols are employed except letters or other marks to distinguish particular points of the diagrams, and mixed diagrams, in which certain magnitudes are represented, not by the magnitudes of parts of the diagram, but by symbols, such as numbers written on the diagram. Thus in a map the height of places above the level of the sea is often indicated by marking the number of feet above the sea at the corresponding places on the map. There is another method in which a line called a contour line is drawn through all the places in the map whose height above the sea is a certain number of feet, and the number of feet is written at some point or points of this line. By the use of a series of contour lines, the height of a great number of places can be indicated on a map by means of a small number of written symbols. Still this method is not a purely graphical method, but a partly symbolical method of expressing the third dimension of objects on a diagram in two dimensions.
In order to express completely by a purely graphical method the relations of magnitudes involving more than two variables, we must use more than one diagram. Thus in the arts of construction we use plans and elevations and sections through different planes, to specify the form of objects having three
