&c., and of nomes with their capitals, festivals, deities and sacred things, calendars, &c.
To a great extent the standard works in all classes date from an early age, not later than the Middle Kingdom, and subsequent works of religion and learning like the later additions were largely written in the same style. Several books of proverbs or “instructions” were put in circulation during the Middle Kingdom. Kagemni and Ptahhotp of the Old Kingdom were nominally or really the instructors in manners: King Amenemhē I. laid down the principles of conduct in government for his son Senwosri I., preaching on the text of beneficence rewarded by treachery; Kheti points out in detail to his schoolboy son Pepi the advantages enjoyed by scribes and the miseries of all other careers. Some of these books are known only in copies of the New Kingdom. The instructions of Ani to his son Khenshotp are of later date. In demotic the most notable of such works is a papyrus of the first century A.D. at Leiden.
A number of Egyptian tales are known, dating from the Middle Kingdom and later. Some are so sober and realistic as to make it doubtful whether they are not true biographies and narratives of actual events. Such are the story of Sinūhi, a fugitive to Syria in the reign of Sesostris [Senwosri] I., and perhaps the narrative of Unamun of his expedition in quest of cedar wood for the bark of the Theban Ammon in the XXIst Dynasty. Others are highly imaginative or with miraculous incidents, like the story of the Predestined Prince and the story of the Two Brothers, which begins with a pleasing picture of the industrious farmer, and, in demotic of the Ptolemaic and Roman periods, two stories of the learned Sethon Khamois, son of Rameses II. and high priest of Ptah, with his rather tragical experiences at the hands of magicians. The stories of the Middle Kingdom were in choice diction, large portions of them being rhetorical or poetical compositions attributed to the principal characters. The story of Sinūhi is of this description and was much read during the New Kingdom. Another, of the Eloquent Peasant whose ass had been stolen, was only a framework to the rhetoric of endless petitions. The tale of the Shipwrecked Sailor in the Red Sea was a piece of simpler writing, not unpicturesque, of the marvellous type of a Sindbad story. If all these are deficient in literary merit, they are deeply interesting as revelations of primitive mind and manners. Of New Kingdom tales, the story of the Two Brothers is frankly in the simplest speech of everyday life, while others are more stilted. The demotic stories of Khamois are simple, but the “Rape of Inarōs’ Cuirass” (at Vienna) is told in a stiff and high-flown style.
In general it may be said of Egyptian literary compositions that apart from their interest as anthropological documents they possess no merit which would entitle them to survive. They are more or less touched by artificiality, but so far as we are able to appreciate them at present they very seldom attain to any degree of literary beauty. Most of the compositions in the literary language, whether old or archaistic, are in a stilted style and often with parallelisms of phrase like those of Hebrew poetry. Simple prose narrative is here quite exceptional. Some few hymns contain stanzas of ten lines, each line with a break in the middle. There is no sign of rhyming in Egyptian poetry, and the rhythm is not yet recognizable owing to our ignorance of the ancient vocalization. In old Egyptian tales the narrative portions are frequently in prose; New Egyptian and demotic contain as a rule little else. Hymns exist in both of these later forms of the language, and a few love songs in Late Egyptian.
See W. M. F. Petrie, Egyptian Tales (2 vols., London, 1895); G. Maspero, Les Contes populaires de l’Égypte ancienne (3rd edition, Paris, 1906); W. Max Müller, Die Liebespoesie der alten Ägypter (Leipzig, 1899). (F. Ll. G.)
C. Religion.—1. Introductory.—Copious as are the sources of information from which our knowledge of the Egyptian religion is drawn, there is nevertheless no aspect of the ancient civilization of Egypt that we really so little understand. While the youth of Egyptological research is in part responsible for this, the reason lies still more in the nature of the religion itself and the character of the testimony bearing upon it. For a true appreciation of the chaotic polytheism that reveals itself even in the earliest texts it would be necessary to be able to trace its development, stage by stage, out of a number of naive primitive cults; but the period of growth lies behind recorded history, and we are here reduced to hypotheses and a posteriori reconstructions. The same criticism applies, no doubt, to other religions, like those of Greece and Rome. In Egypt, however, the difficulty is much aggravated by the poor quality of the evidence. The religious books are textually very corrupt, one-sided in their subject-matter, and distributed over a period of more than two thousand years. The greatest defect of all is their relative silence with regard to the myths. For the story of Isis and Osiris we have indeed the late treatise ascribed to Plutarch, and a few fragments of other myths may be culled from earlier native sources. But in general the tales that passed current about the gods are referred to only in mysterious and recondite allusions; as Herodotus for his own times explicitly testifies, a reticence in such matters seems to have been encouraged by the priests. Thus with regard to Egyptian theology we are very imperfectly informed, and the account that is here given of it must be looked upon as merely provisional. The actual practices of the cult, both funerary and divine, are better known, and we are tolerably familiar with the doctrines as to the future state of the dead. There is good material, too, for the study of Egyptian magic, though this branch has been somewhat neglected hitherto.
2. Main Sources.—(a) The Pyramid texts, a vast collection of incantations inscribed on the inner walls of five royal tombs of the Vth and VIth Dynasties at Sakkāra, discovered and first published by Maspero. Much of these texts is of extreme antiquity; one incantation at least has been proved to belong to an age anterior to the unification of the Northern and Southern kingdoms. Later copies also exist, but possess little independent critical value. The subject-matter is funerary, i.e. it deals with the fate of the dead king in the next life. Some chapters describe the manner in which he passes from earth to heaven and becomes a star in the firmament, others deal with the food and drink necessary for his continued existence after death, and others again with the royal prerogatives which he hopes still to enjoy; many are directed against the bites of snakes and stings of scorpions. It is possible that these incantations were recited as part of the funerary ritual, but there is no doubt that their mere presence in the tombs was supposed to be magically effective for the welfare of the dead. Originally these texts had an application to the king alone, but before the beginning of the XIIth Dynasty private individuals had begun to employ them on their own behalf. They seem to be relatively free from textual corruption, but the vocabulary still occasions much difficulty to the translator.
(b) The Book of the Dead is the somewhat inappropriate name applied to a large similar collection of texts of various dates, certain chapters of which show a tendency to become welded together into a book of fixed content and uniform order. A number of chapters contained in the later recensions are already found on the sarcophagi of the Middle Kingdom, together with a host of funereal texts not usually reckoned as belonging to the Book of the Dead; these have been published by Lepsius and Lacau. The above-mentioned nucleus, combined with other chapters of more recent origin, is found in the papyri of the XVIIIth-XXth Dynasties, and forms the so-called Theban recension, which has been edited by Naville in an important work. Here already more or less rigid groups of chapters may be noted, but individual manuscripts differ greatly in what they include and exclude. In the Saite period a sort of standard edition was drawn up, consisting of 165 chapters in a fixed order and with a common title “the book of going forth in the day”; this recension was published by Lepsius in 1842 from a Turin papyrus. Like the Pyramid texts, the Book of the Dead served a funerary purpose, but its contents are far more heterogeneous; besides chapters enabling the dead man to assume what shape he will, or to issue triumphant from the last judgment, there are lists
