Page:EB1911 - Volume 09.djvu/87

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70
EGYPT
[ANCIENT ART

varied forms have been drawn (P.R.T. ii. xlvi.-liii. 6). The materials are quartz crystal, basalt, porphyry, syenite, granite, volcanic ash, various metamorphics, serpentine, slate, dolomite marble, alabaster, many coloured marbles, saccharine marble, grey and white limestones. The most splendid vase is one from Nekhen (Hieraconpolis), of syenite, 2 ft. across and 16 in. high, hollowed so as to be marvellously light and highly polished (Q.H. xxxvii). Another branch of stone-work, surface carving, was early developed by the artistic dynastic race. The great palettes of slate covered with elaborate reliefs are probably all of the pre-Menite kings; the most advanced of them having the figure of Narmer, who preceded Menes. Other carving full of detail is on the great mace-heads of Narmer and the Scorpion king, where scenes of ceremonials are minutely engraved in relief. In the Ist Dynasty the large tombstones of the kings are of bold work, but the smaller stones of private graves vary much in the style, many being very coarse. All of this work was by hammer-dressing and scraping. The scrapers seem to have always been of copper.

The earliest use of stone in buildings is in the tomb of King Den (Ist Dynasty), where some large flat blocks of red granite seem to have been part of the construction. The oldest stone chamber known is that of Khasekhemui (end of the IInd Dynasty). This is of blocks of limestone whose faces follow the natural cleavages, and only dressed where needful; part is hammer-dressed, but most of the surfaces are adze-dressed. The adze was of stone, probably flint, and had a short handle (P.R.T. ii. 13). The same king also wrought granite with inscriptions in relief. In the close of the IIIrd Dynasty a great impetus was given to stone-work, and the grandest period of refined masonry is at the beginning of the IVth Dynasty under Cheops. The tombs of Mēdūm under Snefru are built with immense blocks of limestone of 20 and 33 tons weight. The dressing of the face between the hieroglyphs was done partly with copper and partly with flint scrapers (P.M. 27). The most splendid masonry is that of the Great Pyramid of Cheops. The blocks of granite for the roofing are 56 in number, of an average weight of 54 tons each. These were cut from the water-worn rocks at the Cataract—the soundest source for large masses, as any incipient flaws are well exposed by wear. The blocks were quarried by cleavage; a groove was run along the line intended, and about 2 ft. apart holes about 4 in. wide were jumped downward from it in the intended plane; this prevented a skew fracture (P.T. 93). In shallower masses a groove was run, and then holes, apparently for wedges, were sunk deeper in the course of it; whether wetted wood was used for the expansive force is not known, but it is probable, as no signs are visible of crushing the granite by hard wedges. The facing of the cloven surfaces was done by hammer-dressing, using rounded masses of quartzose hornstone, held in the hand without any handle. In order to get a hold for moving the blocks without bruising the edges, projecting lumps or bosses were left on the faces, about 6 or 8 in. across and 1 or 2 in. thick. After the block was in place the boss was struck off and the surface dressed and polished (P.T. 78, 82). In the pyramid of Cheops the blocks were all faced before building; but the later granite temple of Chephren and the pyramid of Mycerinus (Menkaura, Menkeurē) show a system of building with an excess of a few inches left rough on the outer surface, which was dressed away when in position (P.T. 110, 132).

The flatness of faces of stone or rock (both granite and limestone) was tested by placing a true-plane trial plate, smeared with red ochre, against the dressed surface, as in modern engineering. The contact being thus reddened showed where the face had to be further dressed away; and this process was continued until the ochre touched points not more than an inch apart all over the joint faces, many square feet in area. On stones too large for facing-plates a diagonal draft was run, so as to avoid any wind in the plane (P.T. 83).

The cutting of granite was not only by cleavage and hammer dressing, but also by cutting with harder materials than quartz such as emery. Long saws of copper were fed with emery powder, and used to saw out blocks as much as 7½ ft. long (P.T. Plate XIV.). In other cases the very deep scores in the sides of the saw-cut suggest that fixed cutting points were inserted in the copper saws; and this would be parallel to the saw-cuts in the very hard limestone of the Palace of Tiryns, in which a piece of a copper saw has been broken, and where may be yet found large chips of emery, too long and coarse to serve as a powder, but suited for fixed teeth. A similar method was common for circular holes, which were cut by a tube, either with powder or fixed teeth. These tubular drills were used from the IVth Dynasty down to late times, in all materials from alabaster up to carnelian. The resulting cores are more regular than those of modern rock-drilling.

Limestone in the Great Pyramid, as elsewhere, was dressed by chopping it with an adze, a tool used from prehistoric to Roman times for all soft stones and wood. This method was carried on up to the point of getting contact with the facing-plate at every inch of the surface; the cuts cross in various directions. For removing rock in reducing a surface to a level, or in quarrying, cuts were made with a pick, forming straight trenches, and the blocks were then broken out between these. In quarrying the cuts are generally 4 or 5 in. wide, just enough for the workman’s arm to reach in; for cutting away rock the grooves are 20 in. wide, enough to stand in, and the squares of rock about 9 ft. wide between the grooves (P.T. 100). The accuracy of the workmanship in the IVth Dynasty is astonishing. The base of the pyramid of Snefru had an average variation of 6 in. on 5765 and 10′ of squareness. But, immediately after, Cheops improved on this with a variation of less than 6 in. on 9069 in. and 12′ of direction. Chephren fell off, having 1.5 error on 8475, and 33′ of variation; and Mycerinus (Menkeurē) had 3 in. error on 4154 and 1′ 50′ variation of direction (P.M. 6; P.T. 39, 97, 111). Of perhaps later date the two south pyramids of Dahshur show errors of 3.7 on 7459 and 1.1 on 2065 in., and variation of direction of 4′ and 10′ (P.S. 28, 30). The above smallest error of only 1 in 16,000 in lineal measure, and 1 in 17,000 of angular measure, is that of the rock-cutting for the foundation of Khufu, and the masonry itself (now destroyed) was doubtless more accurate. The error of flatness of the joints from a straight line and a true square is but 1100th in. on 75 in. length; and the error of level is only 150th in. along a course, or about 10′ on a long length (P.T. 44). We have entered thus fully on the details of this period, as it is the finest age for workmanship in every respect. But in the XIIth Dynasty the granite sarcophagus of Senwosri II. is perhaps the finest single piece of cutting yet known; the surfaces of the granite are all dull-ground, the errors from straight lines and parallelism are only about 1200th inch (P. 1, 3).

In later work we may note that copper scrapers were used for facing the limestone work in the VIth, the XIIth and the XVIIIth Dynasties. In the latter age granite surfaces were ground, hieroglyphs were chipped out and polished by copper tools fed with emery; outlines were graved by a thick sheet of copper held in the hand, and sawed to and fro with emery. Corners of signs and intersections of lines were first fixed by minute tube-drill holes, into which the hand tool butted, so that it should not slip over the outer surface.

The marking out of work was done by fine black lines; and supplemental lines at a fixed distance from the true one were put in to guard against obliteration in course of working (P.T. 92); similarly in building a brick pyramid the axis was marked, and there were supplemental marks two cubits to one side (P.K. 14). When cutting a passage in the rock a rough drift-way was first made, the roof was smoothed, a red axis line was drawn along it, and then the sides were cut parallel to the axis. For setting out a mastaba with sloping sides, on an irregular foundation at different levels, hollow corner walls were built outside the place of each corner; the distances of the faces at the above-ground level were marked on the inner faces of the walls; the above-ground level was also marked; then sloping lines at the intended angle of the face were drawn downward from the ground-level measures, and each face was set out so as to