Page:EB1911 - Volume 13.djvu/739

a long low mare of about 15 hands or a trifle more. She also gave birth to Ayacanora by Birdcatcher, and to Araucaria by Ambrose, both very valuable brood mares, Araucaria being the dam of Chamant by Mortemer, and of Rayon d’Or by Flageolet, son of Plutus by Touchstone. Paradigm again produced, among several winners of more or less celebrity, Lord Lyon (winner of the Two Thousand Guineas, Derby and St Leger) and Achievement (winner of the St Leger), both being by Stockwell. Another famous mare was Manganese (1853) by Birdcatcher from Moonbeam by Tomboy from Lunatic by the Prime Minister from Maniac by Shuttle. Manganese when mated with Rataplan threw Mandragora, dam of Apology, winner of the Oaks and St Leger, whose sire was Adventurer, son of Newminster. She also threw Mineral, who, when mated with Lord Clifden, produced Wenlock, winner of the St Leger, and after being sold to go to Hungary, was there mated with Buccaneer, the produce being Kisber, winner of the Derby.

We append the pedigree of Blair Athol, winner of the Derby and St Leger in 1864, who, when subsequently sold by auction, fetched the then unprecedented sum of 12,000 guineas, as it contains, not only Stockwell (the emperor of stallions, as he has been termed), but Blink Bonny and Eleanor—in which latter animal are combined the blood of Eclipse, Herod, Matchem and Snap,—the mares that won the Derby in 1801 and 1857 respectively, as well as those queens of the stud, Eleanor’s great-granddaughter Pocahontas and Blink Bonny’s dam Queen Mary. Both Eleanor and Blink Bonny won the Oaks as well as the Derby.

Blair Athol[1][2] (1861)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \ \end{matrix}}\right.}$

Stockwell[2] (1849)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \ \end{matrix}}\right.}$

The Baron[2] (1842)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \\\ \\\ \\\ \\\ \ \end{matrix}}\right.}$

Birdcatcher[2](1853)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \ \end{matrix}}\right.}$

Sir Hercules (1826)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Whalebone[1] (1807)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Waxy[1] (1790)

Penelope (1798)

Peri (1822)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Wanderer (1790)

Thalestris (1809)

Guiccioli (1823)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Bob Booty (1804)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Chanticleer (1787)

Ierne (1790)

Flight (1809)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Escape (1802)

Young Heroine

Echidna (1838)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \ \end{matrix}}\right.}$

Economist (1825)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Whisker[1] (1812)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Waxy[1] (1790)

Penelope (1798)

Floranthe (1818)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Octavian (1807)

Caprice (1797)

Miss Pratt (1825)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Blacklock (1814)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Whitelock (1803)

Coriander mare (1799)

Gadabout (1812)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Orville[2] (1709)

Minstrel (1803)

Pocahontas (1837)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \\\ \\\ \\\ \\\ \ \end{matrix}}\right.}$

Glencoe (1831)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \ \end{matrix}}\right.}$

Sultan (1816)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Selim (1802)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Buzzard (1787)

Alexander mare (1790)

Bacchante (1809)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Williamson's Ditto (1800)

Sister to Calomel (1791)

Trampoline (1825)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Tramp (1810)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Dick Andrews (1797)

Gohanna mare

Web (1808)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Waxy[1] (1790)

Penelope (1798)

Marpessa (1830)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \ \end{matrix}}\right.}$

Muley (1810)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Orville[2] (1799)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Beningbrough (1791)

Evelina (1791)

Eleanor[1][3] (1798)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Whiskey (1789)

Young Giantess (1790)

Clare (1824)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Marmion (1806)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Whiskey (1789)

Young Noisette (1789)

Harpalice (1814)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Gohanna (1790)

Amazon (1799)

Blink Bonny[1][3] (1854)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \\\ \ \end{matrix}}\right.}$

Melbourne (1834)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \\\ \\\ \\\ \\\ \ \end{matrix}}\right.}$

Humphrey Clinker (1822)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \ \end{matrix}}\right.}$

Comus (1809)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Sorcerer (1796)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Trumpator (1782)

Young Giantess (1790)

Houghton Lass (1801)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Sir Peter[1] (1784)

Alexina (1788)

Clinkerina (1812)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Clinker (1805)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Sir Peter[1] (1784)

Hyale (1797)

Pewet (1786)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Tandem (1773)

Termagant

Daughter of (1825)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \ \end{matrix}}\right.}$

Cervantes (1806)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Don Quixote (1784)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Eclipse (1764)

Grecian Princess (1770)

Evelina (1791)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Highflyer (1774)

Termagant

Daughter of (1818)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Golumpus (1802)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Gohanna (1790)

Catherine (1795)

Daughter of (1810)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Paynator (1791)

Sister to Zodiac

Queen Mary (1843)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \\\ \\\ \\\ \\\ \ \end{matrix}}\right.}$

Gladiator (1833)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \ \end{matrix}}\right.}$

Partisan (1811)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Walton (1799)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Sir Peter[1] (1784)

Arethusa (1792)

Parasol (1800)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Pot-8-os (1773)

Prunella (1788)

Pauline (1826)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Moses[1] (1819)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Whalebone[1] by Waxy[1] (1807)

Gohanna mare

Quadrille (1815)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Selim (1802)

Canary Bird (1806)

Daughter of (1840)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \\\ \ \end{matrix}}\right.}$

Plenipotentiary[1] (1831)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Emilius[1] (1820)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Orville[2] (1799)

Emily (1810)

Harriett (1819)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Pericles (1809)

Selim mare (1812)

Myrrha (1830)

$\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$

Whalebone[1] (1807)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Waxy[1] (1790)

Penelope (1798)

Gift (1818)

$\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$

Young Gohanna (1810)

Sister to Grazier by Sir Peter[1] (1808)

The shape of a race-horse is of considerable importance, although it is said with some degree of truth that they win in all shapes. There are the neat and elegant animals, like the descendants of Saunterer and Sweetmeat; the large-framed, plain-looking, and heavy-headed Melbournes, often with lop ears; the descendants of Birdcatcher, full of quality, and of more than average stature, though sometimes disfigured with curby hocks; and the medium-sized but withal speedy descendants of Touchstone, though in some cases characterized by somewhat loaded shoulders. In height it will be found that the most successful racers average from 15 to 161/2 hands, the former being considered somewhat small, while the latter is unquestionably very large; the mean may be taken as between 151/2 and 16 hands (the hand = 4 in.). The head should be light and lean, and well set on; the ears small and pricked, but not too short; the eyes full; the forehead broad and flat; the nostrils large and dilating; the muzzle fine; the neck moderate in length, wide, muscular, and yet light; the throat clean; the windpipe spacious and loosely attached to the neck; the crest thin, not coarse and arched. The withers may be moderately high and thin; the chest well developed, but not too wide or deep; the shoulder should lie well on the chest, and be oblique and well covered with muscle, so as to reduce concussion in galloping; the upper and lower arms should be long and muscular; the knees broad and strong; legs short, flat and broad; fetlock joints large; pasterns strong and of moderate length; the feet should be moderately large, with the heels open and frogs sound—with no signs of contraction. The body or barrel should be moderately deep, long and straight, the length being really in the shoulders and in the quarters; the back should be strong and muscular, with the shoulders and loins running well in at each end; the loins themselves should have great breadth and substance, this being a vital necessity for weight-carrying and propelling power uphill. The hips should be long and wide, with the stifle and thigh strong, long and proportionately developed, and the hind quarters well let down. The hock should have plenty of bone, and be strongly affixed to the leg, and show no signs of curb; the bones below the hock should be flat, and free from adhesions; the ligaments and tendons well developed, and standing out from the bone; the joints well formed and wide, yet without undue enlargement; the pasterns and feet similar to those of the forehand. The tail should be high set on, the croup being continued in a straight line to the tail, and not falling away and drooping

1. Winner of the Derby.
2. Winner of the St Leger.
3. Winner of the Oaks.