quickly developed a consuming passion. He was in indifferent health, and, owing partly to Mr Abbey’s mismanagement, in difficulties for money. Nevertheless his best work belongs to this period. In July 1819 he went to Shanklin, living with James Rice. They were soon joined by Brown. The next two months Keats spent with Brown at Winchester, enjoying an interval of calmness due to his absence from Fanny Brawne. At Winchester he completed Lamia and Otho the Great, which he had begun in conjunction with Brown, and began his historical tragedy of King Stephen. Before Christmas he had returned to London and his bondage to Fanny. In January 1820 his brother George paid a short visit to London, but received no confidence from him. The fatal nature of Keats’s illness showed itself on the 3rd of February, but in March he recovered sufficiently to be present at the private view of Haydon’s picture of “Christ’s Entry into Jerusalem.” In May he removed to a lodging in Wesleyan Place, Kentish Town, to be near Leigh Hunt who eventually took him into his house. In July appeared his third and last book, Lamia, Isabella, The Eve of St Agnes and other Poems (1820). Keats left the Hunts abruptly in August in consequence of a delay in receiving one of Fanny Brawne’s letters which had been broken open by a servant. He went to Wentworth Place, where he was taken in by the Brawnes. The suggestion that he should spend the winter in Italy was followed up by an invitation from Shelley to Pisa. This, however, he refused. But on the 18th of September 1820 he set out for Naples in company with Joseph Severn, the artist, who had long been his friend. The travellers settled in the Piazza de Spagna, Rome. Keats was devotedly tended by Dr (afterwards Sir) James Clarke and Severn, and died on the 23rd of February 1821. He was buried on the 27th in the old Protestant cemetery, near the pyramid of Cestius.
Bibliography.—Keats’s friends provided the material for the authoritative biography of the poet by Richard Monckton Milnes (afterwards Lord Houghton) entitled Life, Letters and Literary Remains of John Keats (1848; revised ed., 1867). The Poetical Works of John Keats were issued with a memoir by R. M. Milnes in 1854, 1863, 1865, 1866, 1867, and in the Aldine edition, 1876. The standard edition of Keats is The Poetical Works and other Writings of John Keats now first brought together, including Poems and numerous Letters not before published, edited with notes and appendices by Harry Buxton Forman (4 vols., 1883; re-issue with corrections and additions, 1889). Of the many other editions of Keats’s poems may be mentioned that in the Muses’ Library, The Poems of John Keats (1896), edited by G. Thorn Drury with an introduction by Robert Bridges, and another by E. de Sélincourt, 1905. The Letters of John Keats to Fanny Brawne (1889) were edited with introduction and notes by H. Buxton Forman, and the Letters of John Keats to his Family and Friends (1891) by Sidney Colvin, who is also the author of the monograph, Keats (1887), in the English Men of Letters Series. See also The Papers of a Critic. Selected from the Writings of the late Charles Wentworth Dilke (1875), and for further bibliographical information and particulars of MS. sources the “Editor’s Preface,” &c. to a reprint edited by H. Buxton Forman (Glasgow, 1900). A facsimile of Keats’s autograph MS. of “Hyperion,” purchased by the British Museum in 1904, was published by E. de Sélincourt (Oxford, 1905). (M. Br.)
KEBLE, JOHN (1792–1866), English poet and divine, the author of the Christian Year, was born on St Mark’s Day (April 25), 1792, at Fairford, Gloucestershire. He was the second child of the Rev. John Keble and his wife Sarah Maule. Descended from a family which had attained some legal eminence in the time of the Commonwealth, John Keble, the father of the poet, was vicar of Coln St Aldwyn, but lived at Fairford, about 3 m. distant from his cure. He was a clergyman of the old High Church school, whose adherents, untouched by the influence of the Wesleys, had moulded their piety on the doctrines on the non-jurors and the old Anglican divines. Himself a good scholar, he did not send his son to any school, but educated him and his brother at home so well that both obtained scholarships at Corpus Christi College, Oxford. John was elected scholar of Corpus in his fifteenth, and fellow of Oriel in his nineteenth year, April 1811. In Easter term 1810 he had obtained double first class honours, a distinction which had been obtained only once before, by Sir Robert Peel. After his election to the Oriel fellowship Keble gained the University prizes, both for the English essay and also for the Latin essay. But he was more remarkable for the rare beauty of his character than even for academic distinctions. Sir John Taylor Coleridge, his fellow scholar at Corpus and his life-long friend, says of him, after their friendship of five and fifty years had closed, “It was the singular happiness of his nature, remarkable even in his undergraduate days, that love for him was always sanctified by reverence—reverence that did not make the love less tender, and love that did but add intensity to the reverence.” Oriel College was, at the time when Keble became a fellow, the centre of all the finest ability in Oxford. Copleston, Davison, Whately, were among the fellows who elected Keble; Arnold, Pusey, Newman, were soon after added to the society. In 1815 Keble was ordained deacon, and priest in 1816. His real bent and choice were towards a pastoral cure in a country parish; but he remained in Oxford, acting first as a public examiner in the schools, then as a tutor in Oriel, till 1823. In summer he sometimes took clerical work, sometimes made tours on foot through various English counties, during which he was composing poems, which afterwards took their place in the Christian Year. He had a rare power of attracting to himself the finest spirits, a power which lay not so much in his ability or his genius as in his character, so simple, so humble, so pure, so unworldly, yet wanting not that severity which can stand by principle and maintain what he holds to be the truth. In 1823 he returned to Fairford, there to assist his father, and with his brother to serve one or two small and poorly endowed curacies in the neighbourhood of Coln. He had made a quiet but deep impression on all who came within his influence in Oxford, and during his five years of college tutorship had won the affection of his pupils. But it was to pastoral work, and not to academic duty, that he thenceforth devoted himself, associating with it, and scarcely placing on a lower level, the affectionate discharge of his duties as a son and brother. Filial piety influenced in a quite unusual degree his feelings and his action all life through. It was in 1827, a few years after he settled at Fairford, that he published the Christian Year. The poems which make up that book had been the silent gathering of years. Keble had purposed in his own mind to keep them beside him, correcting and improving them, as long as he lived, and to leave them to be published only “when he was fairly out of the way.” This resolution was at length overcome by the importunities of his friends, and above all by the strong desire of his father to see his son’s poems in print before he died. Accordingly they were printed in two small volumes in Oxford, and given to the world in June 1827, but with no name on the title-page. The book continued to be published anonymously, but the name of the author soon transpired.
Between 1827 and 1872 one hundred and fifty-eight editions had issued from the press, and it has been largely reprinted since. The author, so far from taking pride in his widespread reputation, seemed all his life long to wish to disconnect his name with the book, and “as if he would rather it had been the work of some one else than himself.” This feeling arose from no false modesty. It was because he knew that in these poems he had painted his own heart, the best part of it; and he doubted whether it was right thus to exhibit himself, and by the revelation of only his better self, to win the good opinion of the world.
Towards the close of 1831 Keble was elected to fill the chair of the poetry professorship in Oxford, as successor to his friend and admirer, Dean Milman. This chair he occupied for ten eventful years. He delivered a series of lectures, clothed in excellent idiomatic Latin (as was the rule), in which he expounded a theory of poetry which was original and suggestive. He looked on poetry as a vent for overcharged feeling, or a full imagination, or some imaginative regret, which had not found their natural outlet in life and action. This suggested to him a distinction between what he called primary and secondary poets—the first employing poetry to relieve their own hearts, the second, poetic artists, composing poetry from some other and less impulsive motive. Of the former kind were Homer, Lucretius, Burns, Scott; of the latter were Euripides, Dryden, Milton. This view was set forth in an article contributed to the British
