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Fig. 8.—MARY, COUNTESS OF PEMBROKE, WEARING A COIF AND CUFFS OF RETICELLA LACE. National Portrait Gallery. Dated 1614. Fig. 11.—JAMES II. WEARING A JABOT AND CUFFS OF RAISED NEEDLEPOINT LACE. By Riley. National Portrait Gallery. About 1685 (Figs. 8 and 11, photo by Emery Walker.)

Fig. 9.—HENRI II., DUC DE MONTMORENCY, WEARING A FALLING LACE COLLAR. By Le Nain. Louvre. About 1628. (By permission of Messrs Braun, Clement & Co., Dornach (Alsace), and Paris.) Fig. 10.—SCALLOPPED COLLAR OF TAPE-LIKE PILLOW-MADE LACE. Possibly of English early 17th-century work. Its texture is   typical of a development in pillow-lace-making later than that of the lower edge of “merletti a piombini” in Pl. II. fig. 3.   Fig. 12.—JABOT OF NEEDLEPOINT LACE WORKED PARTLY IN RELIEF, AND USUALLY KNOWN AS “GROS POINT DE VENISE.” Middle of 17th century. Conventional scrolling stems with off- shooting pseudo-blossoms and leafs are specially characteristic.