which swarmed with spirits, “numerous as gnats upon the evening beam”. They symbolized everything; they gave concrete form to every abstract idea; they had deities which represented every phase and function of life, every act and incident of import, and every hour and every month; they had nature gods, animal gods and human gods, and gods of the living and gods of the dead. And, as if they had not a sufficient number of their own, they imported gods and goddesses from other countries.
In the midst of this mythological multitude, which a witty French Egyptologist calls "the rabble of deities”, a few, comparatively speaking, loom vast and great. But some of these are but differentiated forms of a single god or goddess, whose various attributes were symbolized, so that deities budded from deities; others underwent separate development in different localities and assumed various names. If we gather those linking deities together in groups, the task of grappling with Egyptian mythology will be greatly simplified.
An interesting example of the separating process is afforded by Thoth of Hermopolis. That god of quaint and arresting aspect is most usually depicted with a man’s body and the head of an ibis, surmounted by a lunar disk and crescent. As the divine lawyer and recorder, he checked the balance in the Judgment Hall of the Dead when the-human heart was weighed before Osiris; as a Fate, he measured out at birth the span of human life on a rod with serrated edge; he was also a patron of architects, a god of religious literature who was invoked by scribes, and a god of medicine. Originally he was a lunar deity, and was therefore of great antiquity, for, as Mr. Payne has emphasized in his History of the New World, a connection is traced between the lunar phenomena and the food supply in an earlier stage of civilization than
