not surprising, to hear that men had little love for Electra. The wonderful speech that follows, though to a conventional Greek perhaps the most outrageous thing of which she is guilty, shows best the inherent nobility of her character before years of misery had "killed her soul within."
P. 59, ll. 928 f., Being in falseness one, &c.]—The Greek here is very obscure and almost certainly corrupt.
P. 61, l. 964, 'Tis my mother comes.]—The reaction has already begun in Orestes. In the excitement and danger of killing his enemy he has shown coolness and courage, but now a work lies before him vastly more horrible, a little more treacherous, and with no element of daring to redeem it. Electra, on the other hand, has done nothing yet; she has merely tried, not very successfully, to revile the dead body, and her hate is unsatisfied. Besides, one sees all through the play that Aegisthus was a kind of odious stranger to her; it was the woman, her mother, who came close to her and whom she really hated.
P. 63, ll. 979, Was it some fiend of Hell?]—The likeness to Hamlet is obvious. ("The spirit that I have seen May be the Devil." End of Act II.)
P. 63, l. 983, How shall it be then, the same stealthy blow? . . .]—He means, I think, "the same as that with which I have already murdered an unsuspecting man to-day," but Electra for her own purposes misinterprets him.
P. 64, l. 990, God's horsemen, stars without a stain.]—Cf. above, ll. 312, 746. Castor and Polydeuces were sons of Zeus and Leda, brothers of Helen, and half-brothers of Clytemnestra, whose father was the mortal Tyndareus. They lived as knights without reproach, and afterwards became stars and demigods. The story is told that originally Castor was mortal and Polydeuces immortal; but when Castor was fatally wounded Polydeuces prayed
