concentrated in that sonnet, and the heart-pang in it is unmistakable. But Drayton had stood as witness to the will of Anne's father, by which 1500 was set down for her marriage portion. She was an heiress, he a penniless poet, and what was to be done?
About 1590, when Drayton was twenty-eight, and Anne was probably twenty-one years old, Drayton left Polesworth Hall and came to London. Perhaps the very parting was the means of revealing his heart to himself, for it is from near this time that, as he confesses later, he dates the first consciousness of his love. He soon publishes Idea, the Shepherd's Garland, Rowland's Sacrifice to the Nine Muses, where we first see our poet, in his pastoral-poetic character, carving his "rime of love's idolatry," upon a beechen tree. Thirteen stanzas of these pastoral eclogues do not exhaust the catalogue of her beauties; and when he praises the proportion of her shape and carriage, we know that it was not the poet's frenzied eye alone that saw these graces, for Dr. John Hall, of Stratford, who attended her professionally, records in his case-book that she was "beautiful
