agnostics; Lily Anderson, the pretty though anemic pianist, had once been a school-teacher and had read a couple of books about scientists, so she was able to furnish data with which Sharon absolutely confuted the rising fad of evolution; and Art Nichols, the cornetist, provided rude but moral Maine humor, stories about horse-trading, cabbages, and hard cider, very handy for cajoling skeptical business men. But Elmer, being trained theologically, had to weave all the elements—dogma, poetry to the effect that God's palette held the sunsets or ever the world began, confessions of the dismally damned, and stories of Maine barn-dances—into one ringing whole.
And meanwhile, besides the Reverend Sister Falconer and the Reverend Mr. Gantry, thus coöperative, there were Sharon and Elmer and a crew of quite human people with grievances, traveling together, living together, not always in a state of happy innocence.
