Page:Eminent Victorians.djvu/50

From Wikisource
Jump to navigation Jump to search
This page has been validated.
28
EMINENT VICTORIANS

Church of England at its word. And indeed, since Newman showed the way, the operation has become so exceedingly common that the most steady-going church-man hardly raises an eyebrow at it now.

At the time, however, Newman's treatment of the Articles seemed to display not only a perverted super-subtlety of intellect, but a temper of mind that was fundamentally dishonest. It was then that he first began to be assailed by those charges of untruthfulness which reached their culmination more than twenty years later in the celebrated controversy with Charles Kingsley, which led to the writing of the Apologia. The controversy was not a very fruitful one, chiefly because Kingsley could no more understand the nature of Newman's intelligence than a subaltern in a line regiment can understand a Brahmin of Benares. Kingsley was a stout Protestant, whose hatred of Popery was, at bottom, simply ethical—an honest, instinctive horror of the practices of priestcraft and the habits of superstition; and it was only natural that he should see in those innumerable delicate distinctions which Newman was perpetually drawing, and which he himself had not only never thought of, but could' not even grasp, simply another manifestation of the inherent falsehood of Rome. But, in reality, no one, in one sense of the word, was more truthful than Newman. The idea of deceit would have been abhorrent to him; and indeed it was owing to his very desire to explain what he had in his mind exactly and completely, with all the refinements of which his subtle brain was capable, that persons such as Kingsley were puzzled into thinking him dishonest. Unfortunately, however, the possibilities of truth and falsehood depend upon other things besides sincerity. A man may be of a scrupulous and impeccable honesty, and yet his respect for the truth—it cannot be denied—may be insufficient. He may be, like the lunatic, the lover, and the poet, "of imagination