The vision of a Meunier conceives the growing solidarity and defiance of labor in the group of miners carrying their maimed brother to safety. His genius thus powerfully portrays the interrelation of the seething unrest among those slaving in the bowels of the earth, and the spiritual revolt that seeks artistic expression.
No less important is the factor for rebellious awakening in modern literature—Turgeniev, Dostoyevsky, Tolstoy, Andreiev, Gorki, Whitman, Emerson, and scores of others embodying the spirit of universal ferment and the longing for social change.
Still more far-reaching is the modern drama, as the leaven of radical thought and the disseminator of new values.
It might seem an exaggeration to ascribe to the modern drama such an important role. But a study of the development of modern ideas in most countries will prove that the drama has succeeded in driving home great social truths, truths generally ignored when presented in other forms. No doubt there are exceptions, as Russia and France.
Russia, with its terrible political pressure, has made people think and has awakened their social sympathies, because of the tremendous contrast which exists between the intellectual life of the people and the despotic regime that is trying to crush that life. Yet while the great dramatic works of Tolstoy, Tchechov, Gorki, and Andreiev closely mirror the life and the struggle, the hopes and aspirations of the Russian people, they did not influence radical thought to the extent the drama has done in other countries.
