François Coppé, the French novelist, thus expresses himself regarding the psychology of the Attentäter:
"The reading of the details of Vaillant's execution left me in a thoughtful mood. I imagined him expanding his chest under the ropes, marching with firm step, stiffening his will, concentrating all his energy, and, with eyes fixed upon the knife, hurling finally at society his cry of malediction. And, in spite of me, another spectacle rose suddenly before my mind. I saw a group of men and women pressing against each other in the middle of the oblong arena of the circus, under the gaze of thousands of eyes, while from all the steps of the immense amphitheatre went up the terrible cry, Ad leones! and, below, the opening cages of the wild beasts.
"I did not believe the execution would take place. In the first place, no victim had been struck with death, and it had long been the custom not to punish an abortive crime with the last degree of severity. Then, this crime, however terrible in intention, was disinterested, born of an abstract idea. The man's past, his abandoned childhood, his life of hardship, pleaded also in his favor. In the independent press generous voices were raised in his behalf, very loud and eloquent. 'A purely literary current of opinion' some have said, with no little scorn. It is, on the contrary, an honor to the men of art and thought to have expressed once more their disgust at the scaffold."
Again Zola, in Germinal and Paris, describes the tenderness and kindness, the deep sympathy with
