The currency used by the Burmese is of the rudest description. For the smaller payments lead is employed; and for the larger payments silver almost exclusively. This is not coined into pieces of any known weight and fineness; and in every payment of any consequence the metal must be weighed and is generally assayed, for which a premium is paid to the bankers or money-changers of 2½ per cent. besides 1 per cent. which they say is lost in the operation. There are three or four different alloys of silver in common use as money; the best is Bau, which is almost pure; next is Dain, with about 6.4 per cent., of copper; and so on through several grades. An attempt was made by King Mentaragyi to introduce a coinage; but his plans failed because he fixed the current value of his money considerably above the real value of the silver. The high rate of interest for money—which is 25 per cent., and 60 per cent. when no security is given—is another proof of the low state of commerce among the Burmese. Weights. The seeds of the Abrus precatorius (Khyin Pthwe), a little red and black pea, serve as the smallest weight; they ordinarily weigh about a grain, but vary from one to two. Two of them make a rhwe-kyi, four rhwe-kyis a great pae, four great paes a mat, four mats a kyap, and 100 kyaps a piktha (peissa) or viss, which is equal to 3.6516 ℔avoirdupois. Calendar. The Burmese year is divided into three seasons and twelve months, beginning with what corresponds to our April, and every third year a month is intercalated. Every pakka or half-month consists of 15 days (ret) of 60 narih each. The ret is divided into the nay or period from sunrise to sunset, and the gnyin or period from sunset tosunrise,—the 60 narih being assigned in different proportions to the two periods in each of the twelve months, the first month having 30 in each period, and the second 30 in the daytime and 28 in the night, and so on. The Burmese have borrowed their astronomy and astrology, as well as this division of the day, from the Hindus. They are ignorant of oceanicnavigation; and in their voyages to Calcutta, during the fine season, they creep along the coast, never losing sight of it.
Language and literature.
The Burmese proper use a monosyllabiclanguage, spoken with distinctive tones, like the Chinese and several other Indo-Chinesetongues. Its vocabulary shows distinct relation to Chinese on one side and to Tibetan on another. In contrast with Siamese it is a very soft and flexible language, and its monosyllabic character is somewhat modified in pronunciation. It has no distinctly sibilant sound, the only letter approximate to “s” having a resemblance rather to the English “th.” It is a literarylanguage, and has been under cultivation for perhaps six or seven centuries. It is written with an alphabet of Indian origin, which probably came in with Buddhism; and most of the letters are of a more or less circular form. The Pali remaining the dialect of sacred literature, the Burmese has been almost confined to secular uses. It has developed a poeticdiction of such complete individuality that it is unintelligible without special study. Another peculiar dialect, largely mingled with Pali elements, is spoken at court, and also requires separate study, as it substitutes a vocabulary of elaborate artificiality subordinate to the etiquette of the courtiers. The word for “to go,” for example, is different according as it is said that the king goes, or the prince goes, or the priest goes. Of the literary forms in which the Burmese express themselves, the favourite one is the drama, which appears under the various forms of masquerades, puppet shows, ballet-opera, and farces, as well as in the more dignified character of the regular tragedy. The moral character of the plays is often of the lowest kind, the utmost licence both of speech and action being allowed on the stage. The scenery is of a very simple and purely suggestive kind, a single branch of a tree standing for a forest, and frequently the filling up of the dialogue is largely left to the ingenuity
of the actors, little more than hints of the plot being con-