for any but a man of Doyle's noble and lofty character." His biographer points out the fact that all this while he had to look to his pencil for bread, and denies the statement, made by one of the leading newspapers at the time of his death, that during the latter part of his life he was independent of his profession.
In one set of illustrations, now very scarce and little known, Doyle has shown that he possessed eminent powers as a caricaturist. We have a set of lithographs before us, entitled, "Rejected Cartoons," a sort of pictorial "Rejected Addresses," supposed to be intended for the then new Houses of Parliament, some of them caricatures of the works of living artists—Maclise, Pugin, etc., whose styles are closely imitated and most amusingly burlesqued. Some of them are irresistibly droll, such as King Alfred sending the Danes into a Profound Slumber with the Sleepy Notes of his Harp; "Canute reproving the Flattery of his Courtiers;" The Faces of King John and his Barons at the Signing of Magna Charta; Perkin Warbeck in the Stocks; The Meeting of Francis and Harry in the Field of the Cloth of Gold, etc. Few people with whom the touch of Richard Doyle is perfectly familiar would recognise his hand in these amazing and amusing cartoons. We met with them at a bookstall twenty years ago, unconscious until lately that they were due to his pencil.
The once celebrated "Adventures of Brown, Jones, and Robinson" would alone secure for this artist an eminent position amongst the number of English comic designers. Graphically relating the experiences of the most ordinary class of continental tourists, they cannot fail to bring to the recollection even of the most commonplace traveller some of the experiences which may have actually happened to himself. Doyle of course enlarges on these experiences as his fancy and imagination suggest; but after all, there is little which might not have actually befallen any ordinary English travellers such as this unlucky trio. The episode of "Jones's Portmanteau undergoing the ordeal of Search" at Cologne; The scene at the "Speise-Saal" Hotel; The Jewish "Quarter of the City of Frankfort, and what they saw there"; The Gambling Scene at
