Robert Dighton's Sketchesand notables of the early part of the century, is given by the sketches of the last century artist, Robert Dighton. His etchings are. not caricatures, as may be supposed, but likenesses of the oi polloi—the university dons—the prize-fighters—the butchers—the singers—actors—actresses—the men about town ("Corinthians," as they were termed in the slang of the Regency)—the "upper ten"; and what amazingly queer folks were these last! The Duke of Grafton, with his tremendous beak, wig, and cocked hat, his mahogany tops and spurs, his long coat with the flapped pockets and his star; the Marquis of Buckingham, with his red fat face and double chin, which told tales of nightly good cheer, his cocked hat, military coatee, and terrific paunch, which resisted all attempts to confine it within reasonable military compass; John Bellingham—the murderer of Spencer Perceval,—with his retreating forehead, long pointed nose, drab cloth coat and exuberant shirt frill; "What? What? What?"—Great George himself, as he appeared in 1810, in full military panoply—huge ill-fitting boots, huge blue military coat, collar, lappets, and star, a white-powdered bob surmounting a clean-shaved unintellectual face, the distinguishing characteristics of which were a pair of protruding eyes surmounted by ponderous eyebrows.
A well-drawn caricature published by S. W. Fores on the nth of May, 1801, gives us an admirable idea of the male and female costume of the period. It contains sixteen figures, and is entitled Tea just Over, or the Game of Consequences begun. "Consequences" would appear to have been a fashionable game at this time; but the "consequences" here alluded to are the immediate results of a pinch of snuff. The "consequences" of one gentleman sneezing are the following: he jerks the arm of the lady next him, the result being that she pours her cup of scalding hot tea over the knees of her neighbour, a testy old gentleman, who in his fright and pain raises his arms, jerking off with his cane the wig of a person standing at the back of his chair, who in the attempt to save his wig upsets his own cup and saucer upon the pate of his antagonist. Another guest, with his mouth full of tea, witnessing
