positions taken by the horse as he executes his great diversity of strides, steps, gaits, and movements. The rider must, therefore, by means of his effects of ensemble, be always checking this tendency, or restoring the equilibrium as soon as it escapes. When the horse is standing still, the rider will feel this escape of the equilibrium in his bridle hand. But when the horse is in motion, this feeling comes only through the seat. An able esquire reestablishes the equilibrium by the accuracy of his seat, economizing hands and legs.
These effects of ensemble are employed most efficiently just before the demand for a new movement, a new direction, or a new gait; and also to maintain the equilibrium during the succeeding movement without change of speed or gait. All this is in accord with the principle of Baucher, who created the effects of ensemble: "The position gives the correct movement; the movement should never give the position."
These effects of ensemble, employed on a welltrained horse, are, however, virtually imperceptible to the onlooker.
