less fragmentary. The state of the island when the French explorers came to it sufficiently explains this. But, among M. Homolle's prizes, some are of the very highest interest and value. In July, 1878, he found about a dozen pieces of sculpture beneath the soil of a hollow which divides the group of remains at C from the ruins of the two temples at A. Among these sculptures were six statues of Artemis. They are of life-size, and are all archaic in style. Five of them are tightly swathed in a robe which, slightly drawn from right to left, shows the outlines of the legs. Where the arms remain, the left hangs by the side: the right arm is bent; the hand was held out. These five statues resemble those which were lately found in excavating the Asklêpieion at Athens, and which had doubtless been thrown down from the temenos of Artemis Brauronia on the Acropolis. The latest in date of these five, though still archaic, shows the beginnings of a more free and masterly art: it is probably not much older than 500–450 B.C.[1]
But the sixth is the most remarkable. It is a bretas, with the edges rounded, roughly marked off into three parts, for legs, torso, and head; arms are rudely indicated at the sides. On the left side it bears an inscription, saying that it was dedicated to the ἑκηβόλος ἰοχέαιρα by Nicandra, daughter of Deinodikos, a Naxian. The date of the image itself might be placed between 700 and 600 B.C., or
- ↑ M. Homolle, in the Bulletin de C. h. iii. 99. See plates i., ii., iii. published with part i. of vol. iii.
