provide models for that sort of composition; but letters have perished. In the last century, cultivated people who sat down to write took pains to have something to say, and took pains to say it. The correspondence of to-day is like a series of telegrams with amplified headings. There is not more than one idea, and that idea soon comes and is soon over. The best correspondence of the past is rather like a good light article, in which the points are studiously made; in which the effort to make them is studiously concealed; in which a series of selected circumstances is set forth; in which you feel, but are not told, that the principle of the writer's selection was to make his composition pleasant."
It is difficult not to agree with Mr. Bagehot and other critics who have uttered similar lamentations. The letter which resembled a good light article has indeed disappeared from our midst, and I am not sure that many dry eyes have not witnessed its departure. Light articles are now provided for us in such generous measure by our magazines that we have scant need to exact them from our friends. In fact, we should have no time to read them, if
