CHAPTER XIII
The Conductor as Voice Trainer
THE CONDUCTOR'S NEED OF VOCAL TRAININGCorrect voice placement, the full use of The resonance cavities, good habits of breathing, and other details connected with what is commonly termed voice culture, cannot be taught by correspondence; neither can the conductor be made an efficient voice trainer by reading books. But so many choral conductors are failing to secure adequate results from their choruses because of their ignorance of even the fundamentals of singing, that it has been thought best to include a brief presentation of a few of the most important matters with which the conductor ought to be acquainted. In discussing these things it will only be possible for us to present to the student of conducting the problems involved, leaving their actual working out to each individual. The chief difficulty in connection with the whole matter arises from the fact that the conductor needs in his work certain qualities of musicianship that are more apt to result from instrumental than from vocal training, the education of the instrumentalist usually emphasizing harmony, ear-training, form, and in general, the intellectual aspect of music; while that of the vocalist too often entirely leaves out this invaluable type of training, dealing only with voice culture and in general the interpretative side of music study. The vocalist who attempts to conduct is therefore frequently criticized for his lack of what is called "solid musical training"; but the instrumentalist-conductor as often fails to get adequate results in working with singers because of his utter ignorance of vocal procedure; and this latter type of failure is probably as productive of poor choral singing as the former. This
