CHAPTER XIV
The Art of Program Making
THE PROBLEM STATEDIn constructing a concert program for either a solo or an ensemble performance, and in the case of both vocal and instrumental music, at least five important points must be taken into consideration:
- Variety.
- Unity.
- Effective arrangement.
- Appropriate length.
- Adaptability to audience.
VARIETYWe have given variety first place advisedly; for it is by changing the style and particularly through varying the emotional quality of the selections that the conductor or performer will find it most easy to hold the attention and interest of the audience. In these days the matter of keeping an audience interested presents far greater difficulty than formerly, for our audiences are now much more accustomed to hearing good music than they used to be, and a performance that is moderately good and that would probably have held the attention from beginning to end in the olden days will now often be received with yawning, coughing, whispering, early leaving, and a spirit of uneasiness permeating the entire audience, especially during the latter part of the program. The change of etiquette brought about by the phenomenal popularization of the moving picture theater has doubtless had something to do with this change in the attitude of our audiences; the spread of musical knowledge and the far greater intelligence con-
