FAMOUS FANTASTIC MYSTERIES
and to criticizing their dancing. Geibel was in the room, but he appeared to be absorbed in his newspaper, and the girls took no notice of him.
"'There seem to be fewer men who can dance at every ball you go to,' said one of the girls.
"'Yes, and don't the ones who can give themselves airs?' said another. 'They make quite a favour of asking you.'
"'And how stupidly they talk,' added a third. They always say exactly the same things: "How charming you are looking tonight." "Do you often go to Vienna? Oh, you should, it's delightful." "What a charming dress you have on." "What a warm day it has been." "Do you like Wagner?" I do wish they'd think of something new.
"'Oh, I never mind how they talk,' said a fourth. 'If a man dances well he may be a fool for all I care.'
"'He generally is.' slipped in a thin girl, rather spitefully
"'I go to a ball to dance,' continued the previous speaker, not noticing the interruption. 'All I ask of a partner is that he shall hold me firmly, take me round steadily, and not get tired before I do.'
"'A clockwork figure would be the thing for you,' said the girl who had interrupted.
"Bravo!' cried one of the others, clapping her hands, 'what a capital idea!"
"'What's a capital idea?' they asked.
"'Why, a clockwork dancer, or, better still, one that would go by electricity and never run down.'
"The girls took up the idea with enthusiasm.
"'Oh, what a lovely partner he would make!' cried one. 'He would never kick you, or tread on your toes.'
"'Or tear your dress,' said another.
"'Or get out of step.'
"'Or get giddy and lean on you.'
"'And he would never want to mop his face with his handkerchief. I do hate to see a man do that after every dance'
"'And wouldn't want to spend the whole evening in the supper room'
"'Why, with a phonograph inside him to grind out all the stock remarks, you would not be able to tell him from a real man,' said the girl who had first suggested the idea.
"'Oh, yes, you would,' said the thin girl. 'He would be so much nicer.'
"Old Geibel had laid down his paper, and was listening with both his ears. On one of the girls glancing in his direction, however, he hurriedly hid himself again behind it.
"After the girls were gone, he went into his workshop, where Olga heard him walking up and down, and every now and then chuckling to himself; and that night he talked to her a good deal about dancing and dancing men—asked what they usually said and did—what dances were most popular—what steps were gone through, with many other such questions.
"Then for a couple of weeks he kept much to his factory, and was very thoughtful and busy, though prone at unexpected moments to break into a quiet low laugh, as if enjoying a joke that nobody else knew of.
"A month later another ball took place in Furtwangen. On this occasion it was given by old Wenzel, the wealthy timber merchant, to celebrate his niece's betrothal, and Geibel and his daughter were again among the invited.
"When the hour arrived to set out, Olga sought her father. Not finding him in the house, she tapped at the door of his workshop. He appealed in his shirtsleeves, looking hot but radiant.
"'Don't wait for me,' he said, 'you go on. I'll follow you. I've got something to finish.'
"As she turned to obey he called after her, 'Tell them I'm going to bring a young man with me—such a nice young man, and an excellent dancer. All the girls will like him.' Then he laughed and closed the door.
"Her father generally kept his doings secret from everybody, but she had a pretty shrewd suspicion of what he had been planning, and so, to a certain extent, was able to prepare the guests for what was coming. Anticipation ran high, and the arrival of the famous mechanist was eagerly awaited.
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