THE BLACK CUPID[1]
There was a small picture hanging in the room; and I took the light to examine it. I do not know why I could not sleep. Perhaps it was the excitement of travel.
The gilded frame, massive and richly moulded, inclosed one of the strangest paintings I had ever seen, a woman's head lying on a velvet pillow, one arm raised and one bare shoulder with part of a beautiful bosom relieved against a dark background. As I said, the painting was small. The young woman was evidently reclining upon her right side; but only her head, elevated upon the velvet pillow, her white throat, one beautiful arm and part of the bosom was visible.
With consummate art the painter had contrived that the spectator should feel as though leaning over the edge of the couch—not visible in the picture—so as to bring his face close to the beautiful face on the pillow. It was one of the most charming heads a human being
ever dreamed of;—such a delicate bloom on
- ↑ Item, July 29, 1880.
