So the dance began. As to the merits of "The Soldier's Joy," there cannot be, and never were, two opinions. It has been observed in the musical circles of Weatherbury and its vicinity that this melody, at the end of three-quarters of an hour of thunderous footing, still possesses more stimulative properties for the heel and toe than the majority of other dances at their first opening. "The Soldier's Joy has, too, an additional charm, in being so admirably adapted to the tambourine aforesaid—no mean instrument in the hands of a performer who understands the proper convulsions, spasms, St. Vitus's dances, and fearful frenzies necessary when exhibiting its tones in their highest perfection.
The immortal tune ended, a fine DD rolling forth from the bass-viol with the sonorousness of a cannonade, and Gabriel delayed his entry no longer. He avoided Bathsheba, and got as near as possible to the platform, where Sergeant Troy was now seated, drinking brandy-and-water, though the others drank without exception cider and ale. Gabriel could not easily thrust himself within speaking distance of the sergeant, and he sent a message, asking him to come down for a moment. The sergeant said he could not attend.
"Will you tell him, then," said Gabriel, "that I only stepped ath'art to say that a heavy rain is