Page:Fire!! - 1926.djvu/7

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FIRE!!
DEVOTED TO YOUNGER NEGRO ARTISTS


Cordelia the Crude

Physically, if not mentally, Cordelia was a potential prostitute, meaning that although she had not yet realized the moral import of her wanton promiscuity nor become mercenary, she had, nevertheless, become quite blasé and bountiful in the matter of bestowing sexual favors upon persuasive and likely young men. Yet, despite her seeming lack of discrimination, Cordelia was quite particular about the type of male to whom she submitted, for numbers do not necessarily denote a lack of taste, and Cordelia had discovered after several months of active observation that one could find the qualities one admires or reacts positively to in a varied hodge-podge of outwardly different individuals.

The scene of Cordelia's activities was The Roosevelt Motion Picture Theatre on Seventh Avenue near 145th Street. Thrice weekly the program changed, and thrice weekly Cordelia would plunk down the necessary twenty-five cents evening admission fee, and saunter gaily into the foul-smelling depths of her favorite cinema shrine. The Roosevelt Theatre presented all of the latest pictures, also, twice weekly, treated its audiences to a vaudeville bill, then too, one could always have the most delightful physical contacts . . . hmm. . . .

Cordelia had not consciously chosen this locale nor had there been any conscious effort upon her part to take advantage of the extra opportunities afforded for physical pleasure. It had just happened that the Roosevelt Theatre was more close to her home than any other neighborhood picture palace, and it had also just happened that Cordelia had become almost immediately initiated into the ways of a Harlem theatre chippie soon after her discovery of the theatre itself.

It is the custom of certain men and boys who frequent these places to idle up and down the aisle until some female is seen sitting alone, to slouch down into a seat beside her, to touch her foot or else press her leg in such a way that it can be construed as accidental if necessary, and then, if the female is wise or else shows signs of willingness to become wise, to make more obvious approaches until, if successful, the approached female will soon be chatting with her baiter about the picture being shown, lolling in his arms, and helping to formulate plans for an after-theatre rendezvous. Cordelia had, you see, shown a willingness to become wise upon her second visit to The Roosevelt. In a short while she had even learned how to squelch the bloated, lewd faced Jews and eager middle aged Negroes who might approach as well as how to inveigle the likeable little yellow or brown half men, embryo avenue sweetbacks, with their well modeled heads, stickily plastered hair, flaming cravats ,silken or roadcloth shirts, dirty underwear, low cut vests, form fitting coats, bell-bottom trousers and shiny shoes with metal cornered heels clicking with a brave, brazen rhythm upon the bare concrete floor as their owners angled and searched for prey.

Cordelia, sixteen years old, matronly mature, was an undisciplined, half literate product of rustic South Carolina, and had come to Harlem very much against her will with her parents and her six brothers and sisters. Against her will because she had not been at all anxious to leave the lackadaisical life of the little corn pone settlement where she had been born, to go trooping into the unknown vastness of New York, for she had been in love, passionately in love with one John Stokes who raised pigs, and who, like his father before him, found the raising of pigs so profitable that he could not even consider leaving Lintonville. Cordelia had blankly informed her parents that she would not go with them when they decided to be lured to New York by an older son who had remained there after the demobilization of the war time troops. She had even threatened to run away with John until they should be gone, but of course John could not leave his pigs, and John's mother was not very keen on having Cordelia for a daughter-in-law—those Joneses have bad mixed blood in 'em—so Cordelia had had to join the Gotham bound caravan and leave her lover to his succulent porkers.

However, the mere moving to Harlem had not doused the rebellious flame. Upon arriving Cordelia had not only refused to go to school and refused to hold even the most easily held job, but had also victoriously defied her harassed parents so frequently when it came to matters of discipline that she soon found herself with a mesmerizing lack of