coup d'essai after he was called in, and is a most spirited piece. But the variations make the second plate almost a new one. The drawing, grouping, etc., in b are an enormous improvement, and supply life and animation. The three figures, Pickwick, Wardle, and the postillion, are all altered for the better. In b Mr. Pickwick's nervousness, as he is extricated from the chaise, is well shown. The postillion becomes a round spirited figure, instead of a mere sketch; Wardle, as in the text, instead of stooping down and merely showing his back, is tramping about gesticulating. A very spirited white horse is introduced with a postillion as spirited; the single chaise in the distance, the horses drawn back, and Jingle stretching out, is admirable. It is somehow conveyed in a clever way in b that Miss Wardle is peeping through the hind window at the scene. There is a wheel on the ground in b, and one hat; in a there are two hats—Mr. Pickwick's, which is recognizable, and Wardle's.
