of the hustings, which is wild and fairly spirited. But no doubt it appeared somewhat confused to the artist. In his second he made it quite another matter. Over the hustings he introduced a glimpse of the old Ipswich gables. He changed the figure and dress of Fizkin, the rival candidate. He had Parker sitting on the rail, but substituted a standing-up figure, talking—presumably Parker, but taller than that gentleman. In b, Mr. Pickwick's face expresses astonishment at the disorder; in a he is mildly placid. In b the figure behind Mr. Pickwick is turned into Sam by placing a cockade on his hat. Next to Fizkin is a new portly figure introduced. The figures in the crowd are changed in wholesale fashion, and yet the "root idea" in both is the same. An artist, we fancy, would learn much from these contrasts, seeing how strikingly "Phiz" could shift his characters. In the first draft there was not sufficient movement. To the left there was a stout sailor in a striped jacket who was thrusting a pole into the chest of a thin
