258 FLAPPERS AND PHILOSOPHERS
lovable. . . . He took her home, and this time they kissed until both their hearts beat high—words and phrases formed on his lips.
And then suddenly there were steps on the porch—a hand tried the outside door. Marjorie turned dead-white.
"Wait!" she whispered to Samuel, in a frightened voice, but in angry impatience at the interruption he walked to the front door and threw it open.
Every one has seen such scenes on the stage—seen them so often that when they actually happen people behave very much like actors. Samuel felt that he was playing a part and the lines came quite naturally: he announced that all had a right to lead their own lives and looked at Marjorie's husband menacingly, as if daring him to doubt it. Marjorie's husband spoke of the sanctity of the home, forgetting that it hadn't seemed very holy to him lately; Samuel continued along the line of "the right to happiness"; Marjorie's husband mentioned firearms and the divorce court. Then suddenly he stopped and scrutinized both of them—Marjorie in pitiful collapse on the sofa, Samuel haranguing the furniture in a consciously heroic pose.
"Go up-stairs, Marjorie," he said, in a different tone.
"Stay where you are!" Samuel countered quickly.
Marjorie rose, wavered, and sat down, rose again and moved hesitatingly toward the stairs.
"Come outside," said her husband to Samuel. "I want to talk to you."
