to yawn, but finding this quite impossible unless she raised her chin from the window-sill, changed her mind and continued silently to regard the car, whose owner sat brilliantly if perfunctorily at attention as he waited for an answer to his signal. After a moment the whistle once more split the dusty air.
"Good mawnin'."
With difficulty Clark twisted his tall body round and bent a distorted glance on the window.
"Tain't mawnin', Sally Carrol."
"Isn't it, sure enough?"
"What you doin'?"
"Eatin' 'n apple."
"Come on go swimmin'—want to?"
"Reckon so."
"How 'bout hurryin' up?"
"Sure enough."
Sally Carrol sighed voluminously and raised herself with profound inertia from the floor where she had been occupied in alternately destroyed parts of a green apple and painting paper dolls for her younger sister. She approached a mirror, regarded her expression with a pleased and pleasant languor, dabbed two spots of rouge on her lips and a grain of powder on her nose, and covered her bobbed corn-colored hair with a rose-littered sunbonnet. Then she kicked over the painting water, said, "Oh, damn!"—but let it lay—and left the room.
"How you, Clark?" she inquired a minute later as she slipped nimbly over the side of the car.
