library books that were to be had on the legends of the monastic orders and the lives of the saints—is it strange if to the young Pauline Cambron this world before long seemed little else than the battle-field of the Church, the ideal man in it a monk, the ideal woman a nun, the human heart a solemn sacrifice to Heaven, and human life a vast, sad pilgrimage to the shrine eternal?
Among the places which had always appealed to her imagination as one of the heroic sites of Kentucky history was the Convent of the Stricken Heart, not far away. Whenever she came hither she seemed to be treading on sacred ground. Happening to visit it one summer day before her education was completed, she asked to be sent hither for the years that remained. When these were past, here, with the difficult consent of her parents, who saw thus perish the last hope of the perpetuation of the family, she took the white veil. Here at last she hid herself beneath the black. Her whole character at this stage of its unfolding may be understood from the name she assumed—Sister Dolorosa. With this name she wished not merely to extinguish her worldly personality, but to clothe herself with a life-long expression of her sympathy with the sorrows of the world. By this act she believed that she would attain a change of nature so complete that the black veil of Sister Dolorosa would cover as in a funeral urn the ashes which had once been the heart of Pauline Cambron. And thus her conventual life began.
But for those beings to whom the span on the summer-evening cloud is as nothing compared with that fond arch of beauty which it is a necessity of their nature to hang as a bow of promise above every beloved hope—for such dreamers the sadness of life lies in the
