as thou upon the beckoning buds. It is winter where I live. All things are cold and white, and my soul flies only above fresh fields of flowerless snow. But no blast can chill its wings, no mire bedraggle, or rude touch fray. I often wonder whether thou art mute, or the divine framework of winged melodies. Thy very wings are shaped like harps for the winds to play upon. So, too, my soul is silent never, though none can hear its music. Dost thou know that I am held in exile in this world that I inhabit? And dost thou know the flower that I fly ever towards and cannot reach? It is the white flower of eternal perfection that blooms and waits for the soul in Paradise. Upon that flower I shall some day rest my wings as thou foldest thine on a faultless rose."
Harmonizing with this growing passion for the beauty of the world—a passion that marked her approach to riper womanhood—was the care she took of her person. The coarse, flowing habit of the order gave no hint of the curves and symmetry of the snow-white figure throbbing with eager life within; but it could not conceal an air of refinement and movements of the most delicate grace. There was likewise a suggestion of artistic study in the arrangement of her veil, and the sacred symbol on her bosom was embroidered with touches of elaboration.
It was when she had grown weary of books, of the imaginary drama of her life, and the loveliness of Nature, that Sister Dolorosa was sent by the Mother Superior on those visits of sympathy to old Martha Cross; and it was during her return from one of them that there befell her that adventure which she had deemed too slight to mention.
