stealing blankets. But blankets are of no value at such a time; the higher they are piled the more effectively they cork the cold in and keep it from getting out. The result is that your legs are ice, and you know how you will feel by and by when you are buried. In a sane interval I discarded the pyjamas, and led a rational and comfortable life thenceforth.
Out in the country in India, the day begins early. One sees a plain, perfectly flat, dust-colored and brick-yardy, stretching limitlessly away on every side in the dim gray light, striped everywhere with hard-beaten narrow paths, the vast flatness broken at wide intervals by bunches of spectral trees that mark where villages are; and along all the paths are slender women and the black forms of lanky naked men moving to their work, the women with brass water-jars on their heads, the men carrying hoes. The man is not entirely naked; always there is a bit of white rag, a loin-cloth; it amounts to a bandage, and is a white accent on his black person, like the silver band around the middle of a pipe-stem. Sometimes he also wears a fluffy and voluminous white turban, and this adds a second accent. He then answers properly to Miss Gordon Cumming's flash-light picture of him—as a person who is dressed in "a turban and a pocket handkerchief."
All day long one has this monotony of dust-colored dead levels and scattering bunches of trees and mud villages. You soon realize that India is not beautiful; still there is an enchantment about it that is beguiling, and which does not pall. You cannot tell just what it is that makes the spell, perhaps, but you feel it and confess it, nevertheless. Of course, at bottom, you know in a vague way that it is history; it is that that affects you, a haunting sense of the myriads of human lives that have blossomed, and withered, and perished here, repeating and repeating and repeating, century after century, and age after age, the barren and meaningless process; it is
