a more lively feeling of beauties, and pardons twenty absurdities and defects for one elevated or pathetic stroke. The ear of this man is entirely turned towards conciseness and energy; that man is delighted with a copious, rich, and harmonious expression. Simplicity is affected by one; ornament by another. Comedy, tragedy, satire, odes have each their partizans, who prefer that particular species of writing to all others. It is plainly an error in a critic to confine his approbation to one species or style of writing and condemn all the rest. But it is almost impossible not to feel a predilection for that which suits our particular turn and disposition. Such preferences are innocent and unavoidable, and can never reasonably be the object of dispute, because there is no standard, by which they can be decided.
For a like reason, we are more pleased with pictures of characters, which resemble such as are found in our own age or country, than with those which describe a different set of customs. 'Tis not without some effort, that we reconcile ourselves to the simplicity of antient manners, and behold princesses drawing water from a spring, and kings and heroes dressing their own victuals. We may allow in general, that the representation of such manners is no fault in the author, nor deformity in the piece; but we arenot
