clutched around another legacy of Gypsy Nan—her revolver. And now she became conscious that from the moment she had entered the garret, her fingers, hidden in that pocket, had sought and clung to the weapon. The man filled her with detestation and fear; and somehow she feared him more now in what he was trying to make an ingratiating mood, than she had feared him in the full flood of his rage and anger that other night at Shluker's place.
She drew back a little toward the cot bed against the wall, drew back to give him free passage to the door when he should return again, her eyes still holding on the far end of the garret, where, with the slope of the roof, the ceiling was no more than shoulder high. There seemed something horribly weird and grotesque in the scene before her. He had pushed the narrow trap-door in the ceiling upward, and had thrust candle and head through the opening, and the faint yellow light, seeping back and downward in flickering, uncertain rays, suggested the impression of a gruesome, headless figure standing there hazily outlined in the surrounding murk. It chilled her; she clutched at her shawl, drew it more closely about her, and edged still nearer to the wall.
And then Danglar closed the trap-door again, and came back with the candle in one hand, and one of the bulky packages of banknotes from the hiding place in the other. He set the candle down on the washstand, and began to distribute the money through his various pockets.
He was smiling with curious complacency.
"It was your job to play the spider to the White Moll if she ever showed up again here in your parlor," he said. "Maybe somebody tipped her off to keep away, maybe she was too wily; but, anyway, since you
