of her jacket, the stains removed from her face by the aid of the damp cloth, her hands neatly gloved in black kid, the skirt, boots, stockings, shawl, spectacles and wig of Gypsy Nan carefully piled together and hidden in a hole under the rotting boards of the floor, behind the door, she emerged as the White Moll, and went on again.
But at the end of the lane, where it met a cross street, and the street lamp flung out an ominous challenge, and, dim though it was, seemed to glare with the brightness of daylight, she faltered for a moment and drew back. She knew where Shluker's place was, because she knew, as few knew it, every nook and cranny in the East Side, and it was a long way to that old junk shop, almost over to the East River, and—and there would be lights like this one here that barred her exit from the lane, thousands of them, lights all the way, and—and out there they were searching everywhere, pitilessly, for the White Moll.
And then, with her lips tightened, the straight little shoulders thrown resolutely back, she slipped from the lane to the sidewalk, and, hugging the shadows of the buildings, started forward.
She was alert now in mind and body, every faculty strained and in tension. It was a long way, and it would take a great while—by wide detours, by lanes and alleyways, for only on those streets that were relatively deserted and poorly lighted would she dare trust herself to the open. And as she went along, now skirting the side of a street, now through some black courtyard, now forced to take a fence, and taking it with the agility born of the open, athletic life she had led with her father in the mining camps of South America, now hiding at the mouth of a lane waiting her chance to cross an intersecting street when some
