Parley
of the saddle, Whispering Smith, who lost sight of nothing in the gun-play, called for a pack of cards, stripped the aces from the deck, and had a little conference with the judge. The two contestants, Sinclair and Du Sang, were ordered back thirty-five paces on their horses, and the railroad man, walking over to the targets, held out between the thumb and forefinger of his left hand the ace of clubs. The man that should first spot the pip out of the card was to take the prize, a Cheyenne saddle. Sinclair shot, and his horse, perfectly trained, stood like a statue. The card flew from Smith’s hand, but the bullet had struck the ace almost an inch above the pip, and a second ace was held out for Du Sang. As he raised his gun his horse moved. He spurred angrily, circled quickly about, halted, and instantly fired. It was not alone that his bullet cut the shoulder of the club pip on the card: the whole movement, beginning with the circling dash of the horse under the spur, the sudden halt, and the instantly accurate aim, raised a quick, approving yell for the new-comer. The signal was given for Sinclair, and a third ace went up. In the silence Sinclair, with deliberate care, brought his gun down on the card, fired, and cut the pip cleanly from the white field. Du Sang was urged to shoot again, but his horse annoyed him and he would not.
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