of a sensual current, from the 'tender' emotional trends which persist. We are then faced by a picture the two aspects of which certain movements in literature take such delight in idealising. A man of this kind will show a sentimental enthusiasm for women whom he deeply respects but who do not excite him to sexual activities, and he will only be potent with other women whom he does not 'love' but thinks little of or even despises.[1] More often, however, the adolescent succeeds in bringing about a certain degree of synthesis between the unsensual, heavenly love and the sensual, earthly love, and his relation to his sexual object is characterised by the interaction of uninhibited instincts and of instincts inhibited in their aim. The depth to which anyone is in love, as contrasted with his purely sensual desire, may be measured by the size of the share taken by the inhibited instincts of tenderness. In connection with this question of being in love we have always been struck by the phenomenon of sexual over-estimation—the fact that the loved object enjoys a certain amount of freedom from criticism, and that all its characteristics are valued more highly than those of people who are not loved, or than its own were at a time when it itself was not loved. If the sensual
- ↑ 'Über die allg-emeinste ErniedriCTung des Liebeslebens.' Kleine Schriften zur Neurosenlshre, Vierte Folge, 1918.
