III. In a somewhat long and wild dream of my own, the chief point of which is apparently a sea voyage, it happens that the next landing is called Hearsing and the one farther on Fliess. The latter is the name of my friend living in B., who has often been the objective point of my travels. But Hearsing is put together from the names of places in the local environment of Vienna, which so often end in ing: Hietzing, Liesing, Moedling (Medelitz, "meæ deliciæ," my own name, "my joy") (joy=German Freude), and the English hearsay, which points to libel and establishes the relation to the indifferent dream excitement of the day—a poem in the Fliegende Blaetter about a slanderous dwarf, "Saidhe Hashesaid." By connecting the final syllable "ing" with the name Fliess, "Vlissingen" is obtained, which is a real port on the sea-voyage which my brother passes when he comes to visit us from England. But the English for Vlissingen is Flushing, which signifies blushing and recalls erythrophobia (fear of blushing), which I treat, and also reminds me of a recent publication by Bechterew about this neurosis, which has given occasion for angry feelings in me.
IV. Upon another occasion I had a dream which consisted of two parts. The first was the vividly remembered word "Autodidasker," the second was truthfully covered by a short and harmless fancy which had been developed a few days before, and which was to the effect that I must tell Professor N., when I saw him next: "The patient about whose condition I last consulted you is really suffering from a neurosis, just as you suspected." The coinage "Autodidasker" must, then, not only satisfy the requirement that it should contain or represent a compressed meaning, but also
the dreamer often appears too witty." That is true, as long as it applies to the dreamer; it involves a condemnation only when its application is extended to the interpreter of the dream. In waking reality I can make very little claim to the predicate "witty"; if my dreams appear witty, this is not the fault of my individuality, but of the peculiar psychological conditions under which the dream is fabricated, and is intimately connected with the theory of wit and the comical. The dream becomes witty because the shortest and most direct way to the expression of its thoughts is barred for it: the dream is under constraint. My readers may convince themselves that the dreams of my patients give the impression of being witty (attempting to be witty), in the same degree and in a greater than my own. Nevertheless this reproach impelled me to compare the technique of wit with the dream activity, which I have done in a book published in 1905, on Wit and its Relation to the Unconscious. (Author.)
