which boastfully knew no limit to life. In the dream "Non Vixit" I found, as an insignificant interposition that I at first overlooked, the sentence, "As P. does not understand him, Fl. asks me," &c. The interpretation then coming to a standstill, I returned to these words, and found through them the way to the infantile phantasy, which appeared in the dream thoughts as an intermediary point of junction. This came about by means of the poet's verses:
Seldom have you understood me,
Seldom have I understood you,
But when we got into the mire,
We at once understood each other.
Every analysis will demonstrate by examples how the most insignificant features of the dream are indispensable to the analysis, and how the finishing of the task is delayed by the fact that attention is not at first directed to them. In the same way we have in the interpretation of dreams respected every nuance of verbal expression found in the dream; indeed, if we were confronted by a senseless or insufficient wording betraying an unsuccessful effort to translate the dream in the proper style, we have even respected these defects of expression. In brief, what the authorities have considered arbitrary improvisation, concocted hastily to suit the occasion, we have treated like a sacred text. This contradiction requires an explanation.
It is in our favour, without disparagement to the authorities. From the viewpoint of our newly-acquired understanding concerning the origin of the dream, the contradictions fall into perfect agreement. It is true that we distort the dream in our attempt to reproduce it; and herein we find another instance of what we have designated as the often misunderstood secondary elaboration of the dream through the influence of normal thinking. But this distortion is itself only a part of the elaboration to which the dream thoughts are regularly subjected by virtue of the dream censor. The authorities have here divined or observed that part of the dream distortion most obviously at work; to us this is of little importance, for we know that a more prolific work of distortion, not so easily comprehensible, has already chosen the dream
