Chap. VII.]
Fugue.
101
We give extracts from two of the episodes.
J. S. Bach. Organ Fugue in D minor.


Another good example of the same kind will be seen in Bach's great Organ Fugue in E minor,

228. In both the cases. just referred to, the episode is of a more florid character than the subject of the fugue. In the great fugue which forms the finale of Beethoven's Sonata, Op. 106, the theme of which commences thus—
![\relative f { \key bes \major \time 3/4 f8 r \afterGrace a'2\trill { g32[ a] } | bes4 r8 bes16 a g f ees d | g4 r8 g16 f ees d c bes | ees4 r8 ees16 d c d c bes }](http://upload.wikimedia.org/score/n/j/njjmut70zymaylke6cwl59mp8gnunes/njjmut70.png)
we find an example of a different kind. Here is an episode in the key of D major, which itself begins like the exposition of a fugue—
Beethoven. Sonata, Op. 106.

After this episode has been developed for 29 bars, Beethoven